Comments on: Photographs of Paperclips
http://www.metafilter.com/113194/Photographs-of-Paperclips/
Comments on MetaFilter post Photographs of PaperclipsFri, 24 Feb 2012 16:42:02 -0800Fri, 24 Feb 2012 16:42:02 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60Photographs of Paperclips
http://www.metafilter.com/113194/Photographs-of-Paperclips
<a href="http://photographsofpaperclips.blogspot.com/">Photographs of Paperclips</a> post:www.metafilter.com,2012:site.113194Fri, 24 Feb 2012 16:36:02 -0800twoleftfeetPhotographsPaperclipsBy: Chocolate Pickle
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206744
Boy, there sure are some narrow-interest blogs out there, ain't they?comment:www.metafilter.com,2012:site.113194-4206744Fri, 24 Feb 2012 16:42:02 -0800Chocolate PickleBy: 2bucksplus
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206746
Well don't get all bent out of shape about it.comment:www.metafilter.com,2012:site.113194-4206746Fri, 24 Feb 2012 16:42:47 -08002bucksplusBy: june made him a gemini
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206751
Best of the web.comment:www.metafilter.com,2012:site.113194-4206751Fri, 24 Feb 2012 16:47:40 -0800june made him a geminiBy: evilmidnightbomberwhatbombsatmidnight
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206763
15 yard penalty... clipping...comment:www.metafilter.com,2012:site.113194-4206763Fri, 24 Feb 2012 16:55:11 -0800evilmidnightbomberwhatbombsatmidnightBy: Tomorrowful
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206767
Honestly, though, this <i>is</i> why I love the Internet: It doesn't have to be obvious, or popular, or easy. It just has to be <i>conceivable within the human mind</i> and bam, there it is, somewhere.
I don't really care about this blog. But I am thrilled and excited and proud as hell that I live in a world where it exists.comment:www.metafilter.com,2012:site.113194-4206767Fri, 24 Feb 2012 16:57:12 -0800TomorrowfulBy: blaneyphoto
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206778
Its a boring, pointless idea and its not even decent photography.comment:www.metafilter.com,2012:site.113194-4206778Fri, 24 Feb 2012 17:04:08 -0800blaneyphotoBy: fifthrider
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206779
I'm... not sure what I expected.comment:www.metafilter.com,2012:site.113194-4206779Fri, 24 Feb 2012 17:04:13 -0800fifthriderBy: SLC Mom
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206819
Sorry . I gotta go with Snowshoe Guy.comment:www.metafilter.com,2012:site.113194-4206819Fri, 24 Feb 2012 17:29:41 -0800SLC MomBy: MrMoonPie
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206901
<a href="http://www.metafilter.com/46514/One-Red-Paperclip#1100012">Missed one</a>.comment:www.metafilter.com,2012:site.113194-4206901Fri, 24 Feb 2012 18:16:50 -0800MrMoonPieBy: dr. boludo
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206909
Hey look, Bert went to art school.comment:www.metafilter.com,2012:site.113194-4206909Fri, 24 Feb 2012 18:20:13 -0800dr. boludoBy: drjimmy11
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206912
Well. That is certainly a thing that exists.comment:www.metafilter.com,2012:site.113194-4206912Fri, 24 Feb 2012 18:22:05 -0800drjimmy11By: littlesq
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206924
@Chocolate Pickle
<a href="http://selleckwaterfallsandwich.tumblr.com/">Yup</a>comment:www.metafilter.com,2012:site.113194-4206924Fri, 24 Feb 2012 18:27:11 -0800littlesqBy: Flashman
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206937
It looks like you're exploring a new city.
Would you like help?comment:www.metafilter.com,2012:site.113194-4206937Fri, 24 Feb 2012 18:36:10 -0800FlashmanBy: newdaddy
http://www.metafilter.com/113194/Photographs-of-Paperclips#4206948
Wished I'd thought of this first, I do.comment:www.metafilter.com,2012:site.113194-4206948Fri, 24 Feb 2012 18:43:02 -0800newdaddyBy: bunglin jones
http://www.metafilter.com/113194/Photographs-of-Paperclips#4207187
Having left the city more than four years ago, I wasn't at all surprised to find that paperclips are still more interesting than anything else in Perthcomment:www.metafilter.com,2012:site.113194-4207187Fri, 24 Feb 2012 21:18:05 -0800bunglin jonesBy: kozad
http://www.metafilter.com/113194/Photographs-of-Paperclips#4207231
If you can find better paperclip art on the Immense Internet, I would be surprised. Considering the ubiquity of these implements in our lives, the guy has fulfilled his destiny, as far as I am concerned.comment:www.metafilter.com,2012:site.113194-4207231Fri, 24 Feb 2012 21:49:32 -0800kozadBy: Houyhnhnm
http://www.metafilter.com/113194/Photographs-of-Paperclips#4207329
I'm just finishing <em>Hard-boiled Wonderland and the End of the World</em>, so this means something else to me right now.comment:www.metafilter.com,2012:site.113194-4207329Sat, 25 Feb 2012 01:27:34 -0800HouyhnhnmBy: fearfulsymmetry
http://www.metafilter.com/113194/Photographs-of-Paperclips#4207367
I'll pass this on to my Melbourne living Aussie friend... he's always tell me how interesting Perth is.comment:www.metafilter.com,2012:site.113194-4207367Sat, 25 Feb 2012 03:55:08 -0800fearfulsymmetryBy: twoleftfeet
http://www.metafilter.com/113194/Photographs-of-Paperclips#4207448
I thought his <a href="http://photographsofpaperclips.blogspot.com.au/search/label/Vancouver">Vancouver series</a> was better than the current Perth series. You can see a progression of artistic development in the 76 paperclips of the Vancouver series. The first paperclip is, of course <a href="http://photographsofpaperclips.blogspot.com.au/2011/07/1-76-beginning.html">just a paperclip</a>; a simple expression of a new medium. The next bunch are hesitant beginnings in the new medium. To my eye the first really new creation doesn't appear until the <a href="http://photographsofpaperclips.blogspot.com.au/2011/07/10-76-congested-traffic.html">tenth paperclip</a>.
Often artistic innovations are ridiculed for being either outrageous or banal. But influential trends in Art don't come from some kind of one-off trick pony but rather from the communication of a general process which leads to new expressions.
For this reason it is important to consider some of the later paperclips in this series of photographs of paperclips within the context of the natural historical development of the artistic process.
We see that in some way there is a duplication of the usual academic notion of the history of artistic development. It begins with tracings of <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/14-76-spiral.html">crude geometric forms</a>. Then there are attempted <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/17-76-evening-pelican.html">depictions of animal forms</a>. Some <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/21-76-hand-out.html">mysterious religious symbolism</a> follows, and eventually an <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/32-76-framed-perspective.html">exploration of perspective</a>. This part of the process creates object definition.
After object definition, the artistic development process typically produces a reflexive loop of self-examination. This is clear in <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/25-76-garden-ornament.html">Paperclip 25</a> and <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/26-76-corporate.html">Paperclip 26</a> which, in their adjacent sequencing, clearly portray a tumultuous internal dialectic for an artist grappling with the novel socioeconomic realities of a new art form. By <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/28-76-griddled.html">Paperclip 28</a> the evident frustration of the artist is expressed within the metaphor of a paperclip in jail. <a href="">Paperclip 30</a> displays the ultimate downward spiral of the artist - tormented by self-doubt and conflict over the meaning of a new way of conceptualizing the world.
The artistic process typically continues with an opposing cycle of redemption and hope, and this too is evident from an analysis of the paperclip photographs.
By <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/36-76-love.html">Paperclip 36</a> the artist has turned thoughts toward Love. Perhaps a courtly Love, perhaps a supernatural Love of God; it matters not. The artist's soul is on the upswing, and by <a href="http://photographsofpaperclips.blogspot.com.au/2011/08/38-76-escape.html">Paperclip 38</a> is ready to escape.
In <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/44-76-focal-point.html">Paperclip 44</a> the artist has moved to the next level of abstraction, and has begun to explore the relationship between the canvas and the thing depicted on the canvas. Which is the image? What is it an image of? The uncertainty of the ultimate reality of one's own perception produces another cycle of despair as the artist wonders "am I alone?", "am I the only one perceiving what I am perceiving?" <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/45-76-cave-dweller.html">Paperclip 45</a> neatly symbolizes this particular epistemological step.
This is the point where many artists go crazy. The stereotype of the impoverished half-insane starving artist pursuing a vision no one else shares could hardly be better expressed than in <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/46-76-hanging-on.html">Paperclip 46</a>. Any true artist - any person truly exploring the potentials of a new medium - who has made it this far and continues on has made it more than half way.
The next phases in the artistic development process expresses increasing levels of psychological depth and spiritual nuance. The <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/58-76-bow.html">bow</a> and <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/59-76-arrow.html">arrow</a> are not to be interpreted literally as weapons... they stand for the trajectory of consciousness as it arcs between subject and object, attempting to express its <a href="http://photographsofpaperclips.blogspot.com.au/2011/09/63-76-heart-nature.html">Heart Nature</a>.
The last phase of the artistic development process happens when the artist returns from <a href="http://photographsofpaperclips.blogspot.com.au/2011/10/73-76-edge.html">The Edge</a> and brings the totality of the experience into an Earthly and Otherworldly <a href="http://photographsofpaperclips.blogspot.com.au/2011/10/76-76-embrace.html">embrace</a>.
Also, if you unbend some of the paperclips you can use them to hold sheets of paper together.comment:www.metafilter.com,2012:site.113194-4207448Sat, 25 Feb 2012 06:52:36 -0800twoleftfeet
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓÆµ ѸÀ×ÏÂÔØ ѸÀ×ÏÂÔØ
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