Comments on: The British Novelists
http://www.metafilter.com/194679/The-British-Novelists/
Comments on MetaFilter post The British NovelistsSat, 12 Mar 2022 17:51:21 -0800Sat, 12 Mar 2022 17:51:21 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60The British Novelists
http://www.metafilter.com/194679/The-British-Novelists
Anna Laetitia Barbauld, "<a href="https://archive.org/details/britishnovelists01barbuoft/page/n13/mode/2up?view=theater">On the Origin and Progress of Novel-Writing</a>": "A Collection of Novels has a better chance of giving pleasure than of commanding respect ... It might not perhaps be difficult to show that this species of composition is entitled to a higher rank ... A good novel is an epic in prose ..." Barbauld's essay gives a brief history of the novel--a starting point for readers of her 50 volume / 28 novel collection <em>The British Novelists</em>, published in 1810. <br /><br />Some texts named in the essay (*a few untranslated):
<ul>
<li><strong>Before 1700</strong>: Aristides of Miletus, <em>Milesian Tale</em> (<a href="https://en.wikipedia.org/wiki/Milesian_tale">lost</a>); Apuleius, <em><a href="https://www.gutenberg.org/files/1666/1666-h/1666-h.htm">The Golden Ass</a></em>; Longus, <em><a href="https://www.gutenberg.org/files/55406/55406-h/55406-h.htm#THE_LOVES_OF_DAPHNIS_AND_CHLOE_A_PASTORAL_NOVEL">Daphnis and Chloe</a></em>; Heliodorus, <em><a href="https://www.gutenberg.org/files/55406/55406-h/55406-h.htm#THE_ADVENTURES_OF_THEAGENES_AND_CHARICLEA">Theagenes and Chariclea</a></em>; <em><a href="https://www.gutenberg.org/files/23819/23819-h/23819-h.htm">La Chanson de Roland</a></em>; Wace, <em><a href="https://www.gutenberg.org/cache/epub/10472/pg10472.html">Roman de Brut</a></em>; Boccaccio, <em><a href="https://www.gutenberg.org/files/23700/23700-h/23700-h.htm">The Decameron</a></em>; <em><a href="https://archive.org/details/amadisofgaul01lobeuoft/page/n7/mode/2up?view=theater">Amadis of Gaul</a></em> (<a href="https://archive.org/details/amadisofgaul02lobeuoft">2</a>, <a href="https://archive.org/details/amadisofgaul03lobeuoft">3</a>, <a href="https://archive.org/details/amadisofgaul04lobeuoft">4</a>); More, <em><a href="https://www.gutenberg.org/files/2130/2130-h/2130-h.htm">Utopia</a></em>; Rabelais, <em><a href="https://gutenberg.org/files/1200/1200-h/1200-h.htm">Gargantua and Pantagruel</a></em>; <em><a href="https://archive.org/details/palmerinofenglan01hurtuoft/page/n3/mode/2up">Palmerin of England</a></em> (<a href="https://archive.org/details/palmerinofenglan02hurtuoft">2</a>, <a href="https://archive.org/details/palmerinofenglan03hurtuoft">3</a>, <a href="https://archive.org/details/palmerinofenglan04hurtuoft">4</a>); <em><a href="https://quod.lib.umich.edu/e/eebo2/A41204.0001.001?view=toc">Don Bellianis of Greece</a></em>; Margaret, Queen of Navarre, <em><a href="https://digital.library.upenn.edu/women/navarre/heptameron/heptameron.html">The Heptameron</a></em>; Sidney, <em><a href="https://babel.hathitrust.org/cgi/pt?id=inu.32000011083377&view=1up&seq=41&skin=2021">The Countess of Pembroke's Arcadia</a></em>; Mateo Alemán, <em><a href="https://archive.org/details/vidayhechosdelp00alemgoog/page/n11/mode/2up?view=theater">Guzmán de Alfarache</a></em>*; Cervantes, <em><a href="https://catalog.hathitrust.org/Record/100217052">Don Quixote</a></em>; d'Urfé, <em><a href="https://astree.tufts.edu/_analyse/anglais.html">Astrea</a></em>*; Burton, <em><a href="https://gutenberg.org/files/10800/10800-h/10800-h.htm">The Anatomy of Melancholy</a></em>; Barclay, <em><a href="https://www.digitale-sammlungen.de/en/view/bsb11271762?page=,1">Argenis</a></em>*; Corneille, <em><a href="https://www.gutenberg.org/files/14954/14954-h/14954-h.htm">The Cid</a></em>; Calprenède, <em><a href="https://www.google.com/books/edition/Cassandra_By_G_de_Costes_de_la_Calpren%C3%A8/KS1kAAAAcAAJ?hl=en&gbpv=1&pg=PP15&printsec=frontcover">Cassandra</a></em>; Mademoiselle de Scudéry, <em><a href="https://web.archive.org/web/20050511235238/http://www.artamene.org/">Artamène, ou le Grand Cyrus</a></em>*; Scarron, <em><a href="https://www.gutenberg.org/files/27772/27772-h/27772-h.htm">Le Roman Comique</a></em>*; Mademoiselle de Scudéry, <em><a href="https://quod.lib.umich.edu/cgi/t/text/text-idx?c=eebo;idno=A58876.0001.001">Clelia</a></em>; Boyle, <em><a href="https://quod.lib.umich.edu/e/eebo/A53472.0001.001?view=toc">Parthenissa</a></em>; Harrington, <em><a href="https://quod.lib.umich.edu/e/eebo/A45618.0001.001/1:13?rgn=div1;view=toc">Oceana</a></em>; Boileau, <em><a href="https://www.google.com/books/edition/Les_h%C3%A9ros_de_roman/XDgOAAAAYAAJ?hl=en&gbpv=1&pg=PP5&printsec=frontcover">Les Héros de Roman</a></em>*; Madame de Lafayette, <em><a href="https://babel.hathitrust.org/cgi/pt?id=inu.30000108881057&view=1up&seq=7&skin=2021">Zayde</a></em>*; Madame de Lafayette, <em><a href="https://www.gutenberg.org/files/467/467-h/467-h.htm">The Princess of Clèves</a></em>; Míngjiāo Zhōngrén 名教中人 (<em>pseudonym</em>), <em><a href="https://catalog.hathitrust.org/Record/001185321">Hau Kiou Choaan, or The Pleasing History</a></em>; Behn, <em><a href="https://gutenberg.net.au/ebooks07/0700151h.html">Oroonoko</a></em>; Fénelon, <em><a href="https://archive.org/details/masterpatelinsol00bruerich/page/n5/mode/2up?view=theater">Adventures of Telemachus</a></em>.
</li><li><strong>1700-1775</strong>: Lesage, <em><a href="https://www.gutenberg.org/files/51145/51145-h/51145-h.htm">The Devil on Two Sticks</a></em>; Manley, <em><a href="https://catalog.hathitrust.org/Record/010943989">The New Atalantis</a></em>; Lesage, <em><a href="https://www.gutenberg.org/files/66677/66677-h/66677-h.htm">Gil Blas</a></em> (<a href="https://www.gutenberg.org/ebooks/66678">2</a>, <a href="https://www.gutenberg.org/ebooks/66679">3</a>); Swift, <em><a href="https://www.gutenberg.org/files/829/829-h/829-h.htm">Gulliver's Travels</a></em>; Terrasson, <em><a href="https://archive.org/details/TheLifeofSethosvolume1/Sethos%20-%20Histoire%20ou%20Vie%20Tiree%20des%20Monumens%20Anecdotes%20de%20l%27Anciennne%20Egypte%20-%20Traduite%20d%27un%20Manuscrit%20Grec/">The Life of Sethos</a></em>*; Abbé Prévost, <em><a href="https://www.gutenberg.org/files/468/468-h/468-h.htm">Manon Lescaut</a></em>; Marivaux, <em><a href="https://catalog.hathitrust.org/Record/102089389">La Vie de Marianne</a></em>* / <a href="https://catalog.hathitrust.org/Record/102089389"><em>Paysan parvenu</em></a>*; Lesage, <em><a href="https://catalog.hathitrust.org/Record/100906550">Le Bachelier de Salamanque</a></em>*; Berington, <em><a href="https://archive.org/details/adventuresofsig00beri/page/n1/mode/2up?view=theater">The Adventures of Gaudentio di Lucca</a></em>; Brooke, <em><a href="https://digital.library.temple.edu/digital/collection/p16002coll5/id/393/">Gustavus Vasa</a></em>; Fielding, <em><a href="https://www.google.com/books/edition/The_Adventures_of_David_Simple/aLt8Zx3KpgcC?hl=en&gbpv=1&pg=PR3&printsec=frontcover">The Adventures of David Simple</a></em>; Madame de Graffigny, <em><a href="https://archive.org/details/peruvianlettersi00graf/page/n3/mode/2up?view=theater">Letters of a Peruvian Woman</a></em>; Voltaire, <em><a href="https://www.google.com/books/edition/Babouc_Or_the_World_as_it_Goes_By_Monsie/g3BZAAAAcAAJ?hl=en&gbpv=1">Babouc</a></em>; Fielding, <em><a href="https://www.gutenberg.org/files/1905/1905-h/1905-h.htm">The Governess; or The Little Female Academy</a></em>; Haywood, <em><a href="https://catalog.hathitrust.org/Record/010945325">The History of Miss Betsy Thoughtless</a></em>; Haywood, <em><a href="https://catalog.hathitrust.org/Record/007688858">The Invisible Spy</a></em>; Amory, <em><a href="https://catalog.hathitrust.org/Record/000243116">Memoirs: Containing the Lives of Several Ladies of Great Britain</a></em>; Amory, <em><a href="https://catalog.hathitrust.org/Record/006611406">The Life and Opinions of John Buncle</a></em>; Sterne, <em><a href="https://www.gutenberg.org/files/1079/1079-h/1079-h.htm">Tristram Shandy</a></em>; Voltaire, <em><a href="https://www.gutenberg.org/files/19942/19942-h/19942-h.htm">Candide</a></em>; Johnstone, <em><a href="https://catalog.hathitrust.org/Record/010103472">Chrysal</a></em>; Colman, <em><a href="https://www.google.com/books/edition/Polly_Honeycombe/9UM_AQAAMAAJ?hl=en&gbpv=1&pg=PR3&printsec=frontcover">Polly Honeycombe</a></em>; Sheridan, <em><a href="https://www.gutenberg.org/files/43437/43437-h/43437-h.htm">The Memoirs of Miss Sidney Bidulph</a></em>; Rousseau, <em><a href="https://archive.org/details/lenouvellehlo01rous/page/n7/mode/2up?view=theater">Julie, ou la nouvelle Héloïse</a></em>* (<a href="https://archive.org/details/lenouvellehlo02rous">2</a>, <a href="https://archive.org/details/lenouvellehlo03rous">3</a>); Rousseau, <em><a href="https://gutenberg.org/files/5427/5427-h/5427-h.htm">Émile</a></em>; Brooke, <em><a href="https://catalog.hathitrust.org/Record/007684457">The Fool of Quality</a></em>; Wieland, <em><a href="https://catalog.hathitrust.org/Record/009472058">Agathon</a></em>* (partial trans. <a href="https://www.google.com/books/edition/The_History_of_Agathon/PEoHAAAAQAAJ?hl=en&gbpv=1&printsec=frontcover">1</a>, <a href="https://www.google.com/books/edition/The_History_of_Agathon/O8dCAQAAMAAJ?hl=en&gbpv=1&printsec=frontcover">3</a>, <a href="https://www.google.com/books/edition/The_History_of_Agathon/xkoHAAAAQAAJ?hl=en&gbpv=1">4</a>); Voltaire, <em><a href="https://www.gutenberg.org/cache/epub/4651/pg4651.html">L'Ingénu</a></em>*; Marmontel, <em><a href="https://catalog.hathitrust.org/Record/008959906">Bélisaire</a></em>; Sterne, <em><a href="https://www.gutenberg.org/files/804/804-h/804-h.htm">A Sentimental Journey through France and Italy</a></em>; Mulso, <em><a href="https://catalog.hathitrust.org/Record/001019780">Callistus; or, The Man of Fashion</a></em>; Ramsay, <em><a href="https://catalog.hathitrust.org/Record/009471422">Les Voyages de Cyrus</a></em>*; Goethe, <em><a href="https://www.gutenberg.org/files/2527/2527-h/2527-h.htm">The Sorrows of Young Werther</a></em>.
</li><li><strong>1776-1810</strong>:
Marmontel, <em><a href="https://archive.org/details/incasordestruct00marmgoog/page/n42/mode/2up?view=theater">The Incas</a></em> (<a href="https://archive.org/details/incasordestruct01marmgoog">2</a>); Graves, <em><a href="https://catalog.hathitrust.org/Record/000779453">Columella</a></em> (v.1 only); Pratt, <em><a href="https://quod.lib.umich.edu/e/ecco/004786718.0001.001?view=toc">Emma Corbett</a></em>; Schiller, <em><a href="https://gutenberg.org/files/6782/6782-h/6782-h.htm">The Robbers</a></em>; Madame de Montolieu, <em><a href="https://www.gutenberg.org/cache/epub/26819/pg26819.html">Caroline de Lichtfield</a></em>*; Madame de Genlis, <em><a href="https://archive.org/details/adelaidetheodore01genl/page/n5/mode/2up?view=theater">Adelaide and Theodore</a></em> (<a href="https://archive.org/details/adelaidetheodore02genl/page/n5/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/adelaidetheodore03genl/page/n5/mode/2up?view=theater">3</a>); Madame de Genlis, <em><a href="https://catalog.hathitrust.org/Record/001796037">Tales of the Castle</a></em>; Florian, <em><a href="https://catalog.hathitrust.org/Record/008691548">Galatée</a></em>*; Schiller, <em><a href="https://gutenberg.org/files/6781/6781-h/6781-h.htm">The Ghost-Seer</a></em>; Saint-Pierre, <em><a href="https://www.gutenberg.org/files/2127/2127-h/2127-h.htm">Paul and Virginia</a></em>; Saint-Pierre, <em><a href="https://www.google.com/books/edition/La_chaumi%C3%A8re_indienne_The_Indian_cottag/5T1WAAAAcAAJ?hl=en&gbpv=1&pg=PP13&printsec=frontcover">The Indian Cottage</a></em>; Wieland, <em><a href="https://catalog.hathitrust.org/Record/001785299">Private History of Peregrinus Proteus</a></em>; Museus, <em><a href="https://archive.org/details/populartalesger00musagoog/page/n4/mode/2up?view=theater">Popular Tales of the Germans</a></em> (<a href="https://archive.org/details/populartalesger01musagoog/page/n6/mode/2up">2</a>); Holcroft, <em><a href="https://gutenberg.org/cache/epub/9468/pg9468.html">Anna St. Ives</a></em>; Florian, <em><a href="https://archive.org/details/gonzalvedecordou01flor/page/n3/mode/2up?view=theater">Gonzalve de Cordoue</a></em>* (<a href="https://archive.org/details/gonzalvedecordou02flor">2</a>, <a href="https://archive.org/details/gonzalvedecordou03flor">3</a>); Reeve, <em><a href="https://archive.org/details/memoirsofsirroge01reevuoft/page/n7/mode/2up?view=theater">Memoirs of Sir Roger de Clarendon</a></em> (<a href="https://archive.org/details/memoirsofsirroge02reevuoft">2</a>, <a href="https://archive.org/details/memoirsofsirroge03reevuoft">3</a>); Godwin, <em><a href="https://www.gutenberg.org/files/11323/11323-h/11323-h.htm">Caleb Williams</a></em>; Godwin, <em><a href="https://www.gutenberg.org/files/53707/53707-h/53707-h.htm">St. Leon</a></em>; Graves, <em><a href="https://catalog.hathitrust.org/Record/007687968">Senilities</a></em>; Chateaubriand, <em><a href="https://www.gutenberg.org/files/44427/44427-h/44427-h.htm">Atala</a></em>; Madame de Staël, <em><a href="https://catalog.hathitrust.org/Record/011822608">Delphine</a></em>; Madame Cottin, <em><a href="https://catalog.hathitrust.org/Record/009719329">Mathilde</a></em>*; Madame Cottin, <em><a href="https://www.google.com/books/edition/Elizabeth_or_The_exiles_of_Siberia_Trans/3sMNAAAAQAAJ?hl=en&gbpv=1&pg=PA3&printsec=frontcover">Elizabeth, or the Exiles of Siberia</a></em>.</li>
</ul>
Novels included in the collection with links to Barbauld's introductions to each author and also to more recent discussions of their work:
<ol>
<li><a href="https://archive.org/details/britishnovelists01barbuoft/page/n75/mode/2up?view=theater">Samuel Richardson</a>, <em><a href="https://archive.org/details/britishnovelists01barbuoft/page/n121/mode/2up?view=theater">Clarissa</a></em> (<a href="https://archive.org/details/britishnovelists02barbuoft/page/n9/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/britishnovelists03barbuoft/page/n7/mode/2up?view=theater">3</a>, <a href="https://archive.org/details/britishnovelist04barbuoft/page/n9/mode/2up?view=theater">4</a>, <a href="https://archive.org/details/britishnovelist05barbuoft/page/n9/mode/2up?view=theater">5</a>, <a href="https://archive.org/details/britishnovelists06barbuoft/page/n9/mode/2up?view=theater">6</a>, <a href="https://archive.org/details/britishnovelists07barbuoft/page/n9/mode/2up?view=theater">7</a>, <a href="https://archive.org/details/britishnovelists08barbuoft/page/n9/mode/2up?view=theater">8</a>). Discussion: Julie Park, "<a href="https://www.academia.edu/44463848/Writing_with_Pen_and_Dildo_Libertine_Techniques_of_Eighteenth_Century_Narrative">Writing with Pen and Dildo: Libertine Techniques of Eighteenth-Century Narrative</a>."</li>
<li>Samuel Richardson, <em><a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433112068790&view=1up&seq=11&skin=2021">The History of Charles Grandison</a></em> (<a href="https://archive.org/details/britishnovelists10barbuoft/page/n7/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/britishnovelists11barbuoft/page/n9/mode/2up?view=theater">3</a>, <a href="https://archive.org/details/britishnovelists12barbuoft/page/n9/mode/2up?view=theater">4</a>, <a href="https://archive.org/details/britishnovelists13barbuoft/page/n3/mode/2up?view=theater">5</a>, <a href="https://archive.org/details/britishnovelists14barbuoft/page/n5/mode/2up?view=theater">6</a>, <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433112068733&view=1up&seq=13&skin=2021">7</a>). Discussion: Bonnie Latimer, "<a href="https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/5511/Latimer_Popular_Fiction_after.pdf?sequence=3">Popular Fiction after Richardson</a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists16barbuoft/page/n9/mode/2up?view=theater">Daniel Defoe</a>, <em><a href="https://archive.org/details/britishnovelists16barbuoft/page/n19/mode/2up?view=theater">Robinson Crusoe</a></em> (<a href="https://archive.org/details/britishnovelists17barbuoft/page/n7/mode/2up?view=theater">2</a>). Discussion: Lucinda Cole, "<a href="https://www.researchgate.net/profile/Lucinda-Cole-2/publication/336187986_Crusoe%27s_Animals_Annotated_Cats_Dogs_and_Disease_in_the_Naval_Chronicle_Edition_of_Robinson_Crusoe_1815/links/5d9d26d4299bf1c36302057c/Crusoes-Animals-Annotated-Cats-Dogs-and-Disease-in-the-Naval-Chronicle-Edition-of-Robinson-Crusoe-1815.pdf">Crusoe's Animals, Annotated: Cats, Dogs, and Disease in the <em>Naval Chronicle</em> Edition of <em>Robinson Crusoe</em>, 1815</a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists18barbuoft/page/n9/mode/2up?view=theater">Henry Fielding</a>, <em><a href="https://archive.org/details/britishnovelists18barbuoft/page/10/mode/2up?view=theater">Joseph Andrews</a></em>. Discussion: Dita Hochmanová, "<a href="https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/140979/1_BrnoStudiesEnglish_44-2018-2_8.pdf?sequence=1">The Problem of Ridicule in Henry Fielding's <em>Joseph Andrews</em></a>" [PDF].</li>
<li>Henry Fielding, <em><a href="https://archive.org/details/britishnovelists19barbuoft/page/n5/mode/2up?view=theater">Tom Jones</a></em> (<a href="https://archive.org/details/britishnovelists20barbuoft/page/n7/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/britishnovelists21barbuoft/page/n9/mode/2up?view=theater">3</a>). Discussion: Melissa Bloom Bissonette, "<a href="https://fisherpub.sjfc.edu/cgi/viewcontent.cgi?article=1020&context=english_facpub">'A Right Judgment': Rape Trial Conventions Revisited in <em>Joseph Andrews</em> and <em>Tom Jones</em></a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists22barbuoft/page/n7/mode/2up?view=theater">Clara Reeve</a>, <em><a href="https://archive.org/details/britishnovelists22barbuoft/page/6/mode/2up?view=theater">The Old English Baron</a></em>. Related: Clara Reeve wrote her own innovative history of prose fiction <em><a href="https://babel.hathitrust.org/cgi/pt?id=inu.30000007087707&view=1up&seq=13&skin=2021">The Progress of Romance</a></em> (<a href="https://babel.hathitrust.org/cgi/pt?id=inu.30000007087707&view=1up&seq=173&skin=2021">2</a>), which included a list of <a href="https://babel.hathitrust.org/cgi/pt?id=inu.30000007087707&view=1up&seq=273&skin=2021">recommended reading</a> for children and young adults and also a <a href="https://babel.hathitrust.org/cgi/pt?id=inu.30000007087707&view=1up&seq=277&skin=2021">novella</a> inspired by some translation of Murtaḍā ibn al-ʻAfīf's <em><a href="https://quod.lib.umich.edu/e/eebo/A51638.0001.001?view=toc">Egyptian History</a></em></li>
<li><a href="https://archive.org/details/britishnovelists22barbuoft/page/192/mode/2up?view=theater">Horace Walpole</a>, <em><a href="https://archive.org/details/britishnovelists22barbuoft/page/iv/mode/2up?view=theater">The Castle of Otranto</a></em>. Discussion: Elizabeth Jean Mathews, "<a href="https://escholarship.org/content/qt466519hb/qt466519hb.pdf">Chapter 4 -- Jeers for Fears: Camp and Ambiguity in <em>The Castle of Otranto</em></a>" [PDF].</li>
<li>Francis Coventry, <em><a href="https://archive.org/details/britishnovelists23barbuoft/page/6/mode/2up?view=theater">The History of Pompey the Little; or, The Life and Adventures of a Lap-Dog</a></em>. Discussion: Angelika Zirker, "<a href="https://d-nb.info/1156851777/34#page=17">Dogs and Horses as Heroes: Animal (Auto)Biographies in England, 1751-1800</a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists23barbuoft/page/n175/mode/2up?view=theater">Oliver Goldsmith</a>, <em><a href="https://archive.org/details/britishnovelists23barbuoft/page/n191/mode/2up?view=theater">The Vicar of Wakefield</a></em>. Discussion: Wendy Anne Lee, "<a href="https://as.nyu.edu/content/dam/nyu-as/english/documents/Vicar%20and%20the%20Sovereign.pdf">The Vicar and the Sovereign: Monarchism in Oliver Goldsmith's <em>The Vicar of Wakefield</em></a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists24barbuoft/page/n7/mode/2up?view=theater">Charlotte Lennox</a>, <em><a href="https://archive.org/details/britishnovelists24barbuoft/page/2/mode/2up?view=theater">The Female Quixote</a></em> (<a href="https://archive.org/details/britishnovelists25barbuoft/page/n7/mode/2up?view=theater">2</a>). Discussion: Alice Tartari, "<a href="http://dspace.unive.it/bitstream/handle/10579/19149/877296-1248826.pdf?sequence=2">Charlotte Lennox's <em>The Female Quixote</em> and the Dangers of Romance-reading</a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists26barbuoft/page/n9/mode/2up?view=theater">Samuel Johnson</a>, <em><a href="https://archive.org/details/britishnovelists26barbuoft/page/n17/mode/2up?view=theater">The History of Rasselas, Prince of Abissinia</a></em>. Discussion: Wendy Laura Belcher, preface and introduction to <em><a href="https://wendybelcher.com/wp-content/uploads/2018/06/book-1-introduction-to-abyssinias-samuel-johnson.pdf">Abyssinia's Samuel Johnson: Ethiopian Thought in the Making of an English Author</a></em> [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists26barbuoft/page/n155/mode/2up?view=theater">John Hawkesworth</a>, <em><a href="https://archive.org/details/britishnovelists26barbuoft/page/n157/mode/2up?view=theater">Almoran and Hamet</a></em>.</li>
<li><a href="https://archive.org/details/britishnovelists27barbuoft/page/n9/mode/2up?view=theater">Frances Brooke</a>, <em><a href="https://archive.org/details/britishnovelists27barbuoft/page/n11/mode/2up?view=theater">The History of Lady Julia Mandeville</a></em>. Discussion: Hayley Sherratt, "<a href="http://www.chawton.org/library/research/brooke_history_crit.pdf">Critical Essay on the author Frances Brooke and her novel <em>The History of Lady Julia Mandeville</em></a>" [PDF].</li>
<li>Elizabeth Inchbald, <em><a href="https://archive.org/details/britishnovelists27barbuoft/page/n225/mode/2up?view=theater">Nature and Art</a></em>. Discussion: Heather McNeill, "<a href="https://kuscholarworks.ku.edu/bitstream/handle/1808/32061/McNeill_Heather_2007_6599305.pdf?sequence=1&isAllowed=y">Women Who Act: Performance in Elizabeth Inchbald's <em>Nature and Art</em> and Mary Robinson's <em>The Natural Daughter</em></a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists28barbuoft/page/n7/mode/2up?view=theater">Elizabeth Inchbald</a>, <em><a href="https://archive.org/details/britishnovelists28barbuoft/page/iv/mode/2up?view=theater">A Simple Story</a></em>. Discussion: Elma Scott, "<a href="https://chawtonhouse.org/wp-content/uploads/2012/06/Elizabeth-Inchbald.pdf">Elizabeth Inchbald (1753-1821)</a>" [PDF]. Incidentally, around the time Barbauld's anthology was published, Inchbald edited two large anthologies of plays: <em><a href="https://catalog.hathitrust.org/Record/001111928">The British Theatre</a></em> (1808; 25 vols.) and <em><a href="https://catalog.hathitrust.org/Record/001016995">The Modern Theatre</a></em> (1811; 10 vols.).</li>
<li><a href="https://archive.org/details/britishnovelists29barbuoft/page/n5/mode/2up?view=theater">Henry Mackenzie</a>, <em><a href="https://archive.org/details/britishnovelists29barbuoft/page/n9/mode/2up?view=theater">The Man of Feeling</a></em>. Discussion: Ildiko Csengei, "<a href="http://eprints.hud.ac.uk/id/eprint/18577/1/IldikoMHRA_article.pdf">'I Will Not Weep': Reading through the Tears of Henry Mackenzie's <em>Man of Feeling</em></a>" [PDF].</li>
<li>Henry Mackenzie, <em><a href="https://archive.org/details/britishnovelists29barbuoft/page/114/mode/2up?view=theater">Julia de Roubigné</a></em>.</li>
<li><a href="https://archive.org/details/britishnovelists30barbuoft/page/n7/mode/2up?view=theater">Tobias Smollett</a>, <em><a href="https://archive.org/details/britishnovelists30barbuoft/page/6/mode/2up?view=theater">The Expedition of Humphry Clinker</a></em> (<a href="https://archive.org/details/britishnovelists31barbuoft/page/n7/mode/2up?view=theater">2</a>). Discussion: Leslie Aronson, "<a href="https://era.ed.ac.uk/bitstream/handle/1842/9453/Aronson2014.pdf?sequence=2">Chapter 2: Women's Consumption and the Nation in <em>The Expedition of Humphry Clinker</em></a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists32barbuoft/page/n3/mode/2up?view=theater">Richard Graves</a>, <em><a href="https://archive.org/details/britishnovelists32barbuoft/page/16/mode/2up?view=theater">The Spiritual Quixote</a></em> (<a href="https://archive.org/details/britishnovelists33barbuoft/page/n9/mode/2up?view=theater">2</a>).</li>
<li><a href="https://archive.org/details/britishnovelists34barbuoft/page/n9/mode/2up?view=theater">John Moore</a>, <em><a href="https://archive.org/details/britishnovelists34barbuoft/page/n15/mode/2up?view=theater">Zeluco</a></em> (<a href="https://archive.org/details/britishnovelists35barbuoft/page/n9/mode/2up?view=theater">2</a>).</li>
<li><a href="https://archive.org/details/britishnovelists36barbuoft/page/n9/mode/2up?view=theater">Charlotte Turner Smith</a>, <em><a href="https://archive.org/details/britishnovelists36barbuoft/page/n17/mode/2up?view=theater">The Old Manor House</a></em> (<a href="https://archive.org/details/britishnovelists37barbuoft/page/n9/mode/2up?view=theater">2</a>). Discussion of the author: Juliana at <em>The [Blank] Garden</em>, "<a href="https://theblankgarden.com/2019/09/26/charlotte-smith/">Charlotte Smith</a>" and Ellen Moody, "<a href="https://reveriesunderthesignofausten.wordpress.com/2016/06/08/charlotte-smiths-collected-letters-a-story-of-wife-abuse-as-permitted-by-law-custom/">Charlotte Smith's <em>Collected Letters</em>: A Story of Wife Abuse as Permitted by Law & Custom</a>."</li>
<li><a href="https://archive.org/details/britishnovelists38barbuoft/page/n3/mode/2up?view=theater">Frances Burney</a>, <em><a href="https://archive.org/details/britishnovelists38barbuoft/page/10/mode/2up?view=theater">Evelina</a></em> (<a href="https://archive.org/details/britishnovelists39barbuoft/page/n9/mode/2up?view=theater">2</a>). Discussion: Lorna Clark, "<a href="https://www.erudit.org/en/journals/lumen/1900-v1-n1-lumen04528/1059271ar.pdf">Frances Burney and the Marketplace</a>" [PDF].</li>
<li>Frances Burney, <em><a href="https://archive.org/details/britishnovelists40barbuoft/page/n5/mode/2up?view=theater">Cecilia</a></em> (<a href="https://archive.org/details/britishnovelists41barbuoft/page/n9/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/britishnovelists42barbuoft/page/n9/mode/2up?view=theater">3</a>). Discussion: Sophie Coulombeau, "<a href="https://orca.cardiff.ac.uk/110498/1/Coulombeau%20A%20Philosophical%20Gossip_.pdf">'A Philosophical Gossip': Science and Sociability in Frances Burney's <em>Cecilia</em></a>" [PDF].</li>
<li><a href="https://archive.org/details/britishnovelists43barbuoft/page/n9/mode/2up?view=theater">Ann Radcliffe</a>, <em><a href="https://archive.org/details/britishnovelists43barbuoft/page/n17/mode/2up?view=theater">The Romance of the Forest</a></em> (<a href="https://archive.org/details/britishnovelists44barbuoft/page/n5/mode/2up?view=theater">2</a>). Discussion: Ellen Ledoux, "<a href="https://www.nature.com/articles/palcomms201742">Was There Ever a 'Female Gothic'?</a>"</li>
<li>Ann Radcliffe, <em><a href="https://archive.org/details/britishnovelists45barbuoft/page/n7/mode/2up?view=theater">The Mysteries of Udolpho</a></em> (<a href="https://archive.org/details/britishnovelists46barbuoft/page/n9/mode/2up?view=theater">2</a>, <a href="https://archive.org/details/britishnovelists47barbuoft/page/n9/mode/2up?view=theater">3</a>). Discussion: Anna Williams, "<a href="https://www.euppublishing.com/doi/full/10.3366/gothic.2020.0044">Grad School Gothic: <em>The Mysteries of Udolpho</em> and the Academic #MeToo Movement</a>" [PDF].
<li><a href="https://archive.org/details/britishnovelists48barbuoft/page/n9/mode/2up?view=theater">Robert Bage</a>, <em><a href="https://archive.org/details/britishnovelists48barbuoft/page/n13/mode/2up?view=theater">Man as He is Not; or, Hermsprong</a></em>. Discussion: Leslie Wilson, "<a href="http://the-history-girls.blogspot.com/2017/07/all-for-love-pride-and-prejudice.html">All for Love? <em>Pride and Prejudice</em>, <em>Hermsprong</em>, and Rational Attachment</a>."</li>
<li><a href="https://archive.org/details/britishnovelists49barbuoft/page/n9/mode/2up?view=theater">Maria Edgeworth</a>, <em><a href="https://archive.org/details/britishnovelists49barbuoft/page/n13/mode/2up?view=theater">Belinda</a></em> (<a href="https://archive.org/details/britishnovelists50barbuoft/page/n11/mode/2up?view=theater">2</a>). Discussion: Emily Hopwood Durney, "<a href="https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1544&context=criterion">Experimenting upon the Feelings: Maria Edgeworth's Empirical Approach to Love in <em>Belinda</em></a>" [PDF].</li>
<li>Maria Edgeworth, <em><a href="https://archive.org/details/britishnovelists50barbuoft/page/246/mode/2up?view=theater">The Modern Griselda</a></em>. Discussion: Renée Ward, "<a href="http://eprints.lincoln.ac.uk/id/eprint/25244/1/Griselda%20SIM%20Proofs.pdf">Giving Voice to Griselda: Radical Reimaginings of a Medieval Tale</a>" [PDF].</li>
</li></ol>
Some history and background to Barbauld's collection is given in Michael Gamer's "<a href="https://www.researchgate.net/profile/Michael-Gamer-2/publication/297209297_A_select_collection_Barbauld_Scott_and_the_rise_of_the_reprinted_novel/links/5eb1dfe7299bf18b95999306/A-select-collection-Barbauld-Scott-and-the-rise-of-the-reprinted-novel.pdf">A Select Collection: Barbauld, Scott, and the Rise of the (Reprinted) Novel</a>" [PDF] and "<a href="https://www.academia.edu/42909133/Oeuvre_Making_and_Canon_Formation">Oeuvre-Making and Canon-Formation</a>."
Barbauld previously: <a href="/183344/Weird-Tales-from-the-18th-Century">Weird Tales from the 18th Century</a>.post:www.metafilter.com,2022:site.194679Sat, 12 Mar 2022 16:45:05 -0800Wobbuffetliteraturefictionnonfictionessaycriticismliterarycriticismnovelnovelsnovelistsbritishwomenhistory18thC18thCentury19thC19thCentury1800s1810barbauldAnnaLaetitiaBarbauldAnnaLaetitiaAikinBarbauldrichardsonSamuelRichardsonparkJulieParklatimerBonnieLatimerdefoeDanielDefoecoleLucindaColefieldingHenryFieldinghochmanovaDitaHochmanovabissonetteMelissaBloomBissonettereeveClaraReevehuthwaiteDesmondHuthwaitewalpoleHoraceWalpolemathewsElizabethJeanMathewscoventryFrancisCoventryzirkerAngelikaZirkergoldsmithOliverGoldsmithleeWendyAnneLeelennoxCharlotteLennoxtartariAliceTartarijohnsonSamuelJohnsonbelcherWendyLauraBelcherhawkesworthJohnHawkesworthbrookeFrancesBrookesherrattHayleySherrattinchbaldElizabethInchbaldmcneillHeatherMcNeillscottElmaScottmackenzieHenryMackenziecsengeiIldikoCsengeismollettTobiasSmollettaronsonLeslieAronsongravesRichardGravesmooreJohnMooresmithCharlotteSmithCharlotteTurnerSmithmoodyEllenMoodyburneyFrancesBurneyclarkLornaClarkcoulombeauSophieCoulombeauradcliffeAnnRadcliffeledouxEllenLedouxwilliamsAnnaWilliamsbageRobertBagewilsonLeslieWilsonedgeworthMariaEdgeworthdurneyEmilyHopwoodDurneywardReneeWardgamerMichaelGamercanoncanonformationcollectioncollectionsBy: thomas j wise
http://www.metafilter.com/194679/The-British-Novelists#8221971
An important early work of literary history, along with Clara Reeves' dialogue-criticism <em><a href="http://chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/viewer.html?pdfurl=https%3A%2F%2Fwww.kent.ac.uk%2Fewto%2Fprojects%2Fanthology%2Fpdf%2FReeve%2FReeve_The%2520Progress%2520of%2520Romance.pdf&clen=3714398&chunk=true">The Progress of Romance</a></em> (PDF). [Edit] Which, of course, you already linked! Missed that.comment:www.metafilter.com,2022:site.194679-8221971Sat, 12 Mar 2022 17:51:21 -0800thomas j wise
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓÆµ ѸÀ×ÏÂÔØ ѸÀ×ÏÂÔØ
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