Comments on: Lowbrow Art
http://www.metafilter.com/20807/Lowbrow-Art/
Comments on MetaFilter post Lowbrow ArtMon, 14 Oct 2002 18:59:25 -0800Mon, 14 Oct 2002 18:59:25 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60Lowbrow Art
http://www.metafilter.com/20807/Lowbrow-Art
<a href="http://www.lowbrowartworld.com/home.html">Lowbrow Art </a> takes its imagery from <a href="http://www.lowbrowartworld.com/sale01.html">cartoons </a>, <a href="http://www.alexgross.com/Print_gold.html">consumer packaging</a>, <a href="http://www.coopstuff.com/">girlie magazines</a>, <a href="http://www.lisapetrucci.com/">big-eyed</a> <a href="http://www.markryden.com/">kitsch</a>, and <a href="http://www.shag-art.com/">space-age</a> <a href="http://www.queenpindeluxe.com/">bachelor pad</a> <a href="http://www.laluzdejesus.com/shows/previousshows/shows/2000shows/marshall1"> nostalgia</a>, then combines them into <a href="http://www.toddschorr.com/Gallery/Previous%202/image8.html">surreal</a> and often <a href="http://www.robert-williams.com/MAIN.swf">nightmarish</a> compositions that appeal to the lowest common denominator in all of us.post:www.metafilter.com,2002:site.20807Mon, 14 Oct 2002 18:01:22 -0800MrBaliHaiartlowbrownkitschretroBy: CountZero
http://www.metafilter.com/20807/Lowbrow-Art#366034
Wow. thanks for plenty of stuff to look at, admire, and then curse myself for not being able to do anything remotely close.comment:www.metafilter.com,2002:site.20807-366034Mon, 14 Oct 2002 18:59:25 -0800CountZeroBy: jonmc
http://www.metafilter.com/20807/Lowbrow-Art#366056
Wow. I was stoked when I saw Robert Williams and Ed Roth among the artists on the first site, but they were just the tip of the proverbial iceberg. Nice set a links Bali.comment:www.metafilter.com,2002:site.20807-366056Mon, 14 Oct 2002 19:44:27 -0800jonmcBy: kindall
http://www.metafilter.com/20807/Lowbrow-Art#366105
I find the idea that someone would pay $1300 for <a href="http://www.lowbrowartworld.com/sale26.html">Monkey Rape</a> extremely disturbing.comment:www.metafilter.com,2002:site.20807-366105Mon, 14 Oct 2002 22:02:28 -0800kindallBy: Ayn Marx
http://www.metafilter.com/20807/Lowbrow-Art#366114
I'm a big fan of Robt. Williams; even bought some RW trading cards! <a href='http://www.juxtapoz.com/html/homeframe.html'>Art Juxtapoz</a> magazine is a good source for this sort of stuff.comment:www.metafilter.com,2002:site.20807-366114Mon, 14 Oct 2002 22:43:49 -0800Ayn MarxBy: Frasermoo
http://www.metafilter.com/20807/Lowbrow-Art#366142
Excellent post. Thanks.comment:www.metafilter.com,2002:site.20807-366142Tue, 15 Oct 2002 01:50:57 -0800FrasermooBy: tetsuo
http://www.metafilter.com/20807/Lowbrow-Art#366312
Simply amazing. Outstanding links, Bali!comment:www.metafilter.com,2002:site.20807-366312Tue, 15 Oct 2002 09:25:37 -0800tetsuoBy: Devils Slide
http://www.metafilter.com/20807/Lowbrow-Art#366827
I think "wow" says it all.comment:www.metafilter.com,2002:site.20807-366827Tue, 15 Oct 2002 21:56:57 -0800Devils Slide
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓƵ ѸÀ×ÏÂÔØ Ñ¸À×ÏÂÔØ
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