Comments on: Broken Saints
http://www.metafilter.com/26977/Broken-Saints/
Comments on MetaFilter post Broken SaintsMon, 14 Jul 2003 13:23:20 -0800Mon, 14 Jul 2003 13:23:20 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60Broken Saints
http://www.metafilter.com/26977/Broken-Saints
<a href="http://www.brokensaints.com/">The last chapter of <i>Broken Saints</i> is finally live.</a> The finale of this Flash epic contains 7 parts and is 80 minutes long. As a whole, it's an amazing achievement. [Here's a <a href=http://www.metafilter.com/mefi/17783>previous thread</a>.] [Via <a href=http://slashdot.org/>/.</a>]post:www.metafilter.com,2003:site.26977Mon, 14 Jul 2003 13:20:21 -0800homunculuscomicsflashBy: homunculus
http://www.metafilter.com/26977/Broken-Saints#518424
I hope this doesn't count as a double post since there have been several chapters added since the last post, including now the finale, and you have to go through the main site to get to them.comment:www.metafilter.com,2003:site.26977-518424Mon, 14 Jul 2003 13:23:20 -0800homunculusBy: cinderful
http://www.metafilter.com/26977/Broken-Saints#518459
Great dramatic flash effects. A monumental undertaking.
Sadly, the drawings are so very, very poor.comment:www.metafilter.com,2003:site.26977-518459Mon, 14 Jul 2003 14:04:15 -0800cinderfulBy: ghastlyfop
http://www.metafilter.com/26977/Broken-Saints#518489
<em>Sadly, the drawings are so very, very poor.</em>
Uh, no.comment:www.metafilter.com,2003:site.26977-518489Mon, 14 Jul 2003 14:36:20 -0800ghastlyfopBy: four panels
http://www.metafilter.com/26977/Broken-Saints#518506
Good sound mixing.comment:www.metafilter.com,2003:site.26977-518506Mon, 14 Jul 2003 15:26:35 -0800four panelsBy: mr_crash_davis
http://www.metafilter.com/26977/Broken-Saints#518515
<i>"Sadly, the drawings are so very, very poor."
"Uh, no."</i>
That's it, then. cinderful and ghastlyfop will fight to the death.comment:www.metafilter.com,2003:site.26977-518515Mon, 14 Jul 2003 15:49:41 -0800mr_crash_davisBy: nakedelf
http://www.metafilter.com/26977/Broken-Saints#518522
<em>Sadly, the drawings are so very, very poor.</em>
What would constitute really great drawings if the ones for Broken Saints disappoint you so? Do you have a dislike for the genre (comics) or just that particular style?comment:www.metafilter.com,2003:site.26977-518522Mon, 14 Jul 2003 16:09:46 -0800nakedelfBy: ed
http://www.metafilter.com/26977/Broken-Saints#518523
<i>Sadly, the drawings are so very, very poor.</i>
Because heaven forbid that any Flash artist would go for simple elegance to cut down on bandwidth. Ever hear of Jay Ward, threes and fours, and early television animation?comment:www.metafilter.com,2003:site.26977-518523Mon, 14 Jul 2003 16:11:41 -0800edBy: Hildago
http://www.metafilter.com/26977/Broken-Saints#518525
Before I watch the finale I wanted to view the 23 other episodes that preceded it. I watched about 5 minutes of the first episode and then I just couldn't take it anymore, it was so pretentious and poorly-written. I realize that this is probably unfair, that's why I ask -- do they ever ditch the high-school poetry tone?comment:www.metafilter.com,2003:site.26977-518525Mon, 14 Jul 2003 16:18:58 -0800HildagoBy: elwoodwiles
http://www.metafilter.com/26977/Broken-Saints#518526
Gah. I wanted to avoid passing judgment on someone else's artistic output, but the comic style was trite and badly executed. The writing was empty of feeling and made me wonder if english was the artist's first language. It's a cool effort, but didn't move me to any feelings beyond boredom and apathy.
On a good note, however, it took so long to download and so boring to watch that I finished off the invoices I've been ignoring all morning/afternoon.comment:www.metafilter.com,2003:site.26977-518526Mon, 14 Jul 2003 16:26:06 -0800elwoodwilesBy: namespan
http://www.metafilter.com/26977/Broken-Saints#518654
<i>That's it, then. cinderful and ghastlyfop will fight to the death.</i>
Is this a new metatalk category?comment:www.metafilter.com,2003:site.26977-518654Mon, 14 Jul 2003 21:06:31 -0800namespanBy: stavrosthewonderchicken
http://www.metafilter.com/26977/Broken-Saints#518726
<em>Is this a new metatalk category?</em>
See <a href="http://metatalk.metafilter.com/mefi/1590">here</a>.comment:www.metafilter.com,2003:site.26977-518726Tue, 15 Jul 2003 01:23:43 -0800stavrosthewonderchickenBy: infravires
http://www.metafilter.com/26977/Broken-Saints#518768
I have a high tolerance for pretentiousness (Peter Greenaway et al) and still got bored during the first episode.
Constructively: using only a few lines of dialogue among an endless procession of abstract, introspective thought-bubbles failed to establish the setting, characters or intrigue that would have drawn me further into the story.
From a usability point of view you should at least be able to pause the playback, though I'd prefer to be able to step through it (in both directions) at my own pace. The sound, though atmospheric, didn't always add much & I wanted to turn it off.
(Not as bad as another online Flash-based comic I was looking at where the speech bubbles were in a tiny tiny font until you mouse-overed [moused-over?] them, when they became legible.)comment:www.metafilter.com,2003:site.26977-518768Tue, 15 Jul 2003 04:55:43 -0800infravires
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓÆµ ѸÀ×ÏÂÔØ ѸÀ×ÏÂÔØ
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