Comments on: Industrial Poetry
http://www.metafilter.com/47189/Industrial-Poetry/
Comments on MetaFilter post Industrial PoetryThu, 01 Dec 2005 21:44:04 -0800Thu, 01 Dec 2005 21:44:04 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60Industrial Poetry
http://www.metafilter.com/47189/Industrial-Poetry
<a href="http://www.epica-awards.org/assets/epica/2004/finalists/film/flv/22012-1.htm">Blixa Bargeld reads the Hornbach Catalog.</a> In a series of ads, <a href="http://www.epica-awards.com/epica/2004/winners/fin_cat22.htm">finalists in 2004 for an EPICA award</a>, the poet and musician <a href="http://www.blixa-bargeld.com/">Blixa Bargeld</a>, known primarily as a leader of the industrial band <a href="http://www.neubauten.org/">Einstürzende Neubauten</a>, read aloud descriptions of home improvement products. <a href="http://www.epica-awards.org/assets/epica/2004/finalists/film/flv/22012-2.htm">With</a> <a href="http://www.epica-awards.org/assets/epica/2004/finalists/film/flv/22012-3.htm">hilarious</a> <a href="http://www.epica-awards.org/assets/epica/2004/finalists/film/flv/22012-4.htm">results</a>.post:www.metafilter.com,2005:site.47189Thu, 01 Dec 2005 21:38:08 -0800jannvideoadvertisingawardsBlixaBargeldEinstürzendeNeubautenmusicBy: Rothko
http://www.metafilter.com/47189/Industrial-Poetry#1125888
(diese seiten sind ausgezeichnet)comment:www.metafilter.com,2005:site.47189-1125888Thu, 01 Dec 2005 21:44:04 -0800RothkoBy: lumpenprole
http://www.metafilter.com/47189/Industrial-Poetry#1125907
Truly the best of the web. Thank you so very much.comment:www.metafilter.com,2005:site.47189-1125907Thu, 01 Dec 2005 22:08:34 -0800lumpenproleBy: brundlefly
http://www.metafilter.com/47189/Industrial-Poetry#1125908
This made me so very very happy. Thank you very much. Yippy yippy ya ya, yippy yippy YEAH!comment:www.metafilter.com,2005:site.47189-1125908Thu, 01 Dec 2005 22:09:46 -0800brundleflyBy: kenko
http://www.metafilter.com/47189/Industrial-Poetry#1125949
Awesome.comment:www.metafilter.com,2005:site.47189-1125949Thu, 01 Dec 2005 23:01:08 -0800kenkoBy: Ian A.T.
http://www.metafilter.com/47189/Industrial-Poetry#1125961
That was great.
Also: I'd like industrial kids a lot more if they all dressed like that.comment:www.metafilter.com,2005:site.47189-1125961Thu, 01 Dec 2005 23:15:41 -0800Ian A.T.By: Sticherbeast
http://www.metafilter.com/47189/Industrial-Poetry#1125971
Awe. Some.comment:www.metafilter.com,2005:site.47189-1125971Thu, 01 Dec 2005 23:26:58 -0800SticherbeastBy: Eirixon
http://www.metafilter.com/47189/Industrial-Poetry#1125986
Fantastic!comment:www.metafilter.com,2005:site.47189-1125986Thu, 01 Dec 2005 23:54:04 -0800EirixonBy: hototogisu
http://www.metafilter.com/47189/Industrial-Poetry#1125988
"Industrial" is loaded with so many limiting connotations these days, it's almost a shame to call them that, as valid as it is. They've always had a sense of humor--this pleases me to no end.comment:www.metafilter.com,2005:site.47189-1125988Fri, 02 Dec 2005 00:02:37 -0800hototogisuBy: kenlayne
http://www.metafilter.com/47189/Industrial-Poetry#1125999
That's a fun thing to watch.
I got this Nick Cave & the Bad Seeds little box set of B-sides and such, and one of my favorite songs is an early version of the hit "Where the Wild Roses Grow," but Blixa is singing the Kylie part. It's pretty great.
Blixa also sings half-lead vocals on stuff like "The Weeping Song" in the Bad Seeds. He is an ex-member now. He's a good reader of home improvement catalogs but a much better guitar abuser and composer and singer. The Einstürzende Neubauten stuff seems to get more soothing as the years go by. Maybe I'm just going deaf, but I like it more today.comment:www.metafilter.com,2005:site.47189-1125999Fri, 02 Dec 2005 00:33:37 -0800kenlayneBy: Jairus
http://www.metafilter.com/47189/Industrial-Poetry#1126053
<i>The Einstürzende Neubauten stuff seems to get more soothing as the years go by. Maybe I'm just going deaf, but I like it more today.</i>
I think Neubauten is one of the few bands in the genre that just keep getting better, album after album.comment:www.metafilter.com,2005:site.47189-1126053Fri, 02 Dec 2005 03:34:16 -0800JairusBy: Hogshead
http://www.metafilter.com/47189/Industrial-Poetry#1126089
I recommend loading all those video clips at once and letting the sound of them combine into one.
Now I want to see Einsturzende Neubauten in concert again.comment:www.metafilter.com,2005:site.47189-1126089Fri, 02 Dec 2005 04:41:23 -0800HogsheadBy: suni
http://www.metafilter.com/47189/Industrial-Poetry#1126106
bohrwinkelkontrolle :Dcomment:www.metafilter.com,2005:site.47189-1126106Fri, 02 Dec 2005 05:07:21 -0800suniBy: suni
http://www.metafilter.com/47189/Industrial-Poetry#1126107
tiefengrundbürste :D:D
thanks for this awesome find : )comment:www.metafilter.com,2005:site.47189-1126107Fri, 02 Dec 2005 05:08:37 -0800suniBy: Fezboy!
http://www.metafilter.com/47189/Industrial-Poetry#1126118
Ehrfürchtiges! Danke.comment:www.metafilter.com,2005:site.47189-1126118Fri, 02 Dec 2005 05:44:49 -0800Fezboy!By: dabitch
http://www.metafilter.com/47189/Industrial-Poetry#1126143
genius.comment:www.metafilter.com,2005:site.47189-1126143Fri, 02 Dec 2005 06:20:04 -0800dabitchBy: adzm
http://www.metafilter.com/47189/Industrial-Poetry#1126149
wirklich, kein vergleich. danke schoen :)comment:www.metafilter.com,2005:site.47189-1126149Fri, 02 Dec 2005 06:27:44 -0800adzmBy: adzm
http://www.metafilter.com/47189/Industrial-Poetry#1126153
Also, in case anyone is wondering, the few seconds of intro music is 12305 (te Nacht), which you can find on Strategies Against Architecture III CD 1 (which is a great EN cd...)comment:www.metafilter.com,2005:site.47189-1126153Fri, 02 Dec 2005 06:30:29 -0800adzmBy: djseafood
http://www.metafilter.com/47189/Industrial-Poetry#1126167
after seeing them on their last tour, I thought maybe Blixa needed to lay off the wurst a bit.
Aparently he's laughing all the way to the bank.
brilliant.comment:www.metafilter.com,2005:site.47189-1126167Fri, 02 Dec 2005 06:44:25 -0800djseafoodBy: Foosnark
http://www.metafilter.com/47189/Industrial-Poetry#1126172
<i>which you can find on Strategies Against Architecture III CD 1</i>
Also on <i>Tabula Rasa</i> which is just fantastic all over.
I didn't like <i>Perpetuum Mobile</i> much though.comment:www.metafilter.com,2005:site.47189-1126172Fri, 02 Dec 2005 06:49:45 -0800FoosnarkBy: klangklangston
http://www.metafilter.com/47189/Industrial-Poetry#1126221
Awesome stuff. Danke.comment:www.metafilter.com,2005:site.47189-1126221Fri, 02 Dec 2005 07:43:27 -0800klangklangstonBy: spicynuts
http://www.metafilter.com/47189/Industrial-Poetry#1126258
BIG BRUSH!
Hey, what is the german for silicate paint?comment:www.metafilter.com,2005:site.47189-1126258Fri, 02 Dec 2005 08:17:57 -0800spicynutsBy: cows of industry
http://www.metafilter.com/47189/Industrial-Poetry#1126261
Back in the day, there was nothing quite so fun as blasting <a href="http://www.neubauten.org/en-disca-03.html"><em>Halber Mensch</em></a> at your Howard Jones-loving neighbors.
Danke, Herr Bargeld.comment:www.metafilter.com,2005:site.47189-1126261Fri, 02 Dec 2005 08:19:14 -0800cows of industryBy: cows of industry
http://www.metafilter.com/47189/Industrial-Poetry#1126263
..und, Danke Jann for the post.comment:www.metafilter.com,2005:site.47189-1126263Fri, 02 Dec 2005 08:19:51 -0800cows of industryBy: jann
http://www.metafilter.com/47189/Industrial-Poetry#1126361
<i>Hey, what is the german for silicate paint?</i>
He's saying "Silikatfarbe".comment:www.metafilter.com,2005:site.47189-1126361Fri, 02 Dec 2005 09:18:40 -0800jannBy: lastobelus
http://www.metafilter.com/47189/Industrial-Poetry#1126488
lol. Das war schön. Ich habe ein Freund mit die gleichen Akzent (und ein sogar größer Bauch).
Some of Hornbach's actual ads are pretty <a href="http://mms.proximity.de/hornbach/HORNBACH_Spot_0305_Gardenpath_dsl_de.wmv">funny</a>:
(she will grow. With each new project)comment:www.metafilter.com,2005:site.47189-1126488Fri, 02 Dec 2005 10:15:35 -0800lastobelusBy: lumpenprole
http://www.metafilter.com/47189/Industrial-Poetry#1126680
Yeah, I found Tabula Rasa to be much more soothing and kind of hated it for that. I think if you compare it to Strategies one, you'll see why you think the music has gotten more soothing. It broke my heart when I went to see them for the third time in the late 90's and I saw all the roadies unloading keyboards.
Bah.comment:www.metafilter.com,2005:site.47189-1126680Fri, 02 Dec 2005 12:13:57 -0800lumpenproleBy: lumpenprole
http://www.metafilter.com/47189/Industrial-Poetry#1126683
(and for the record, the classic Bargeld/Cave vocals song is the cover of "Sand" from "Kicking Against the Pricks", IMHO)comment:www.metafilter.com,2005:site.47189-1126683Fri, 02 Dec 2005 12:17:19 -0800lumpenproleBy: lumpenprole
http://www.metafilter.com/47189/Industrial-Poetry#1126699
fWrote that, ran out for a cup of coffee and realized I'm an idiot. Sand is on Strategies 2 and does not feature Nick Cave.
I blame the hangover.
(Still a great cover)comment:www.metafilter.com,2005:site.47189-1126699Fri, 02 Dec 2005 12:28:50 -0800lumpenproleBy: jcruelty
http://www.metafilter.com/47189/Industrial-Poetry#1126705
love his look.comment:www.metafilter.com,2005:site.47189-1126705Fri, 02 Dec 2005 12:35:09 -0800jcrueltyBy: hototogisu
http://www.metafilter.com/47189/Industrial-Poetry#1126710
"Sand" is on <i>Halber Mensch</i> and the 12"s that preceeded it...the Strategies Against Architecture CDs are rarities and sampler compilations, not original albums.
I like them quite a lot still, even if they have mellowed out in the last decade; they've already done the "stealing shopping carts and putting microphones on them" thing, or "setting the stage on fire after the show" thing--they've earned the right to act like old guys. Their current material is suggestive and profound in ways gothed-out Blixa could never have imagined in 1979.
Plus, they dress better these days.comment:www.metafilter.com,2005:site.47189-1126710Fri, 02 Dec 2005 12:38:31 -0800hototogisuBy: lumpenprole
http://www.metafilter.com/47189/Industrial-Poetry#1126814
<i>Plus, they dress better these days.</i>
Agreed. Doesn't make me enjoy the albums any more.comment:www.metafilter.com,2005:site.47189-1126814Fri, 02 Dec 2005 13:39:59 -0800lumpenproleBy: homunculus
http://www.metafilter.com/47189/Industrial-Poetry#1126864
<i>there was nothing quite so fun as blasting Halber Mensch at your Howard Jones-loving neighbors.</i>
Good times.comment:www.metafilter.com,2005:site.47189-1126864Fri, 02 Dec 2005 14:06:19 -0800homunculusBy: kenko
http://www.metafilter.com/47189/Industrial-Poetry#1126924
<em>"Sand" from "Kicking Against the Pricks", IMHO)</em>
"Sand" is from <em>Halber Mensch</em>, no?comment:www.metafilter.com,2005:site.47189-1126924Fri, 02 Dec 2005 14:47:24 -0800kenkoBy: suckerpunch
http://www.metafilter.com/47189/Industrial-Poetry#1127141
<a href="http://swen.antville.org/stories/923786/">A few more commercials.</a>comment:www.metafilter.com,2005:site.47189-1127141Fri, 02 Dec 2005 18:16:19 -0800suckerpunchBy: bitter-girl.com
http://www.metafilter.com/47189/Industrial-Poetry#1127206
Oh, you cannot possibly know how happy this made our entire household tonight...comment:www.metafilter.com,2005:site.47189-1127206Fri, 02 Dec 2005 20:32:50 -0800bitter-girl.com
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓÆµ ѸÀ×ÏÂÔØ ѸÀ×ÏÂÔØ
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