Comments on: Wrong!

Wrong!

thirteenkiller — Fri, 13 Oct 2006 19:48:37 -0800

CNN's guide to the Indie Scene. Not for posers!

By: Artw

Artw — Fri, 13 Oct 2006 20:02:10 -0800

If it's cool, creative and different, it's indie...

By: furtive

furtive — Fri, 13 Oct 2006 20:06:12 -0800

Yeah, like a Time Warner funded company is going to know what going on in the Indie scene. But you guys already knew that, so why even mention it on Metafilter?

By: furtive

furtive — Fri, 13 Oct 2006 20:07:50 -0800

Oops, I missed the cue in the title, we're supposed to tear it apart.

By: Greg Nog

Greg Nog — Fri, 13 Oct 2006 20:12:23 -0800

Man, I liked CNN's early stuff better.

By: unmake

unmake — Fri, 13 Oct 2006 20:12:45 -0800

flagged as lame.

By: Mister_A

Mister_A — Fri, 13 Oct 2006 20:15:35 -0800

Ahhh a point-and-laugh post.

By: loquacious

loquacious — Fri, 13 Oct 2006 20:20:15 -0800

Needs more fish. In pants.

By: afu

afu — Fri, 13 Oct 2006 20:20:35 -0800

I don't know I kind of liked it, it seemed deliberately designed to piss off hipsters and you have to appreciate that.

By: bob sarabia

bob sarabia — Fri, 13 Oct 2006 20:22:18 -0800

Don't forget to take the quiz. I got 5 out of 10, which I think is just right.

By: synaesthetichaze

synaesthetichaze — Fri, 13 Oct 2006 20:22:27 -0800

That is the funniest picture of Jim Jarmusch I've ever seen. PS: pointing and laughing now

By: gcbv

gcbv — Fri, 13 Oct 2006 20:26:23 -0800

I enjoyed how CNN resolutely researched the diverse threads of "indie hiphop" enough to put a picture of Mos Def and another artist from way on the other spectrum of the scene, Talib Kweli.

By: mr_crash_davis

mr_crash_davis — Fri, 13 Oct 2006 20:30:05 -0800

By: Extopalopaketle

Extopalopaketle — Fri, 13 Oct 2006 20:36:50 -0800

Greg Nog for the win.

By: Kraftmatic Adjustable Cheese

Kraftmatic Adjustable Cheese — Fri, 13 Oct 2006 20:58:46 -0800

lol squarez

By: Jimbob

Jimbob — Fri, 13 Oct 2006 21:36:27 -0800

I didn't quite get it when I first saw the page. Kim Gordon, and Stephen Malkmus and Quentin Tarintino and Morrissey in an "Indie Scene 2006 special". And then I got it. CNN are way more edgy and ironic than you damn indie hipsters, that's for sure.

By: photoslob

photoslob — Fri, 13 Oct 2006 21:43:10 -0800

Is that a pic of Moz in the top left corner?! How retarded.

By: Jimbob

Jimbob — Fri, 13 Oct 2006 21:48:18 -0800

That's not just Moz. That's Fat Moz.

By: quin

quin — Fri, 13 Oct 2006 21:55:24 -0800

mr_crash_davis, you dare to post an image of the face of the sacred prophet in this thread? I'm bringing some riots to your town. "I don't know, I'm making this up as I go" Sackers of the Misplaced Vessel 3:14

By: dougunderscorenelso

dougunderscorenelso — Fri, 13 Oct 2006 21:58:50 -0800

Should I feel bad for getting as much of a kick of this as I do? How do cool indie cats spend their days and nights away from the grind? Maybe I just like imagining the blank stares and head-shaking when this concept was presented to designers and writers alike. Everyone gets crappy assignments sometime!

By: trinarian

trinarian — Fri, 13 Oct 2006 22:19:54 -0800

I think it was about a year ago when I moved to the "artsy" side of town that I realized this "indie" shit really was supposed to be the defining artistic/cultural statement of our generation. Say what you will about earlier scenes, especially the hippies and the punks, but at least there were ideals behind the art. There's nothing here besides pretension, half-witted irony, and some vague anti-capitalist notions that come with the name. And this, friends, saddens me. Viva la revolucion!

By: I Am Not a Lobster

I Am Not a Lobster — Fri, 13 Oct 2006 22:20:47 -0800

Austin is so 2004 anyway.

By: The Great Big Mulp

The Great Big Mulp — Fri, 13 Oct 2006 22:25:05 -0800

There's nothing here besides pretension, half-witted irony, and some vague anti-capitalist notions that come with the name. And this, friends, saddens me. Amen to that.

By: gompa

gompa — Fri, 13 Oct 2006 22:27:58 -0800

Man, I liked CNN's early stuff better. Dude, if you'd ever seen it when it was just Ted Turner screaming at a camera about Steinbrenner and the UN for like twelve hours straight on public-access in Atlanta - I'm talkin' like '78, '79 - dude, that was CNN. Anderson Cooper? More like Anderson Corporate. *high-fives everyone else at table, orders round of PBR*

By: Falconetti

Falconetti — Fri, 13 Oct 2006 22:50:02 -0800

Whatevs, I heard about this shit at Union Pool in Billyburg (while hanging with TV on the Radio).

By: delmoi

delmoi — Fri, 13 Oct 2006 23:06:17 -0800

You have to like arrested development to be "indie"? Real Indies don't even fucking watch television.

By: Matt Oneiros

Matt Oneiros — Fri, 13 Oct 2006 23:33:00 -0800

6/10 on the indie quiz. Stella Artois, FTW.

By: Riovanes

Riovanes — Sat, 14 Oct 2006 00:21:34 -0800

Okay. I admit it. I love Dinosaur Jr., I love Small Factory, I love Lilys and Rodan and 764-Hero, and I am so sick to fucking death of the Killers and Franz Ferdinand and all this crap. I'm the type of person that the main article is talking about. Is that wrong now? If CNN knows about indie, does that mean I have to stop being indie ... to be indie? What the hell did I just say? Their information is old, but they seem to be relatively on the ball: "These days indie is more of a philosophy," Cool said. "If you can maintain control and integrity over your art, whether on your own or with a corporation -- that's what's important." (Oh yeah ... and is just me, or is starting the indie continuum at The Clash kind of strange considering that 1967 heard a little thing called The Velvet Underground & Nico?)

By: birdherder

birdherder — Sat, 14 Oct 2006 00:45:48 -0800

Austin is so 2004 anyway. Austin peaked whenever the hell Sandra Bullock moved here. --Ausinite since 1993. I got an 8/10 on the quiz by answering what I thought CNN would think would be indy.

By: dhartung

dhartung — Sat, 14 Oct 2006 01:00:12 -0800

Most times, being indie comes before the sell-out.

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 01:36:30 -0800

What's the term for someone soooo underground in their music circles that they keep up with stuff that doesn't even penetrate Pitchfork et al? Speaking of which, it's about time post-rock earned its due. Here are two sites devoted to the genre.

By: srboisvert

srboisvert — Sat, 14 Oct 2006 01:40:11 -0800

I once tried filming a documentary on the emo scence. After filming the first scene I yelled "Cut". The End.

By: srboisvert

srboisvert — Sat, 14 Oct 2006 01:40:33 -0800

I miss spellcheck. The End.

By: Bugbread

Bugbread — Sat, 14 Oct 2006 04:04:54 -0800

I only got 1 question right...Damn, I'm even less indie than jonmc! (which, somehow, means I'm more indie, right?)

By: slater

slater — Sat, 14 Oct 2006 04:16:48 -0800

i, like, totally don't care.

By: dminor

dminor — Sat, 14 Oct 2006 04:21:03 -0800

7/10

By: sveskemus

sveskemus — Sat, 14 Oct 2006 04:42:10 -0800

That word, indie. I don't think that means what they think it means.

By: thirteenkiller

thirteenkiller — Sat, 14 Oct 2006 05:04:08 -0800

I also got only one question right. Hence the post title! I expected they would say something like "You're not indie!" at the end of the quiz, but I didn't know they would call me WRONG for choosing the mildest possible response about the Smiths.

By: Devils Rancher

Devils Rancher — Sat, 14 Oct 2006 05:32:31 -0800

So, "Indie" is short for "Independent," but we must somehow conform to a set of prescribed strictures in order to be "Indie." I'm lost.

By: deanc

deanc — Sat, 14 Oct 2006 05:39:43 -0800

8 out of 10, baby! Youtube link: Indie Clerk Assholes

By: dydecker

dydecker — Sat, 14 Oct 2006 05:43:07 -0800

1 out of 10. not interested in "indie" anymore

By: Bovine Love

Bovine Love — Sat, 14 Oct 2006 06:38:20 -0800

2/10. Ah, I am a poser, thank god. Now that indie has gone mainstream, I am just gonna have to settle for recording traffic noises and playing it back on shuffle......

By: ZenMasterThis

ZenMasterThis — Sat, 14 Oct 2006 06:50:10 -0800

There's nothing here besides pretension, half-witted irony, and some vague anti-capitalist notions that come with the name. So what's changed?

By: piratebowling

piratebowling — Sat, 14 Oct 2006 07:13:56 -0800

9/10. I feel dirty.

By: jefbla

jefbla — Sat, 14 Oct 2006 07:32:39 -0800

5/10. First question asks for my favorite Wes Anderson movie. I said Bottle Rocket. Apparently that's wrong. But Bottle Rocket is my favorite Wes Anderson movie, dammit!

By: Mr. Gunn

Mr. Gunn — Sat, 14 Oct 2006 07:45:24 -0800

I got to question 9 and had to quit. I couldn't, in good conscience, mark any of the answers. I think I was running around 3 up to that point.

By: jaronson

jaronson — Sat, 14 Oct 2006 07:53:07 -0800

If you clicked that CNN link you are SO not hep to indie. If you took that quiz, you should really consider watching CNN...even more than you already do.

By: wallstreet1929

wallstreet1929 — Sat, 14 Oct 2006 07:56:58 -0800

Didn't The Smiths die in a plane crash in Alabama?

By: goodnewsfortheinsane

goodnewsfortheinsane — Sat, 14 Oct 2006 08:03:26 -0800

Ryan Schreiber, Pitchfork founder: "[The term] has also, for years, been sort of the de facto label for an entire subculture of idealistic artists and music fans who place a lot of stock in the idea of making music for yourself or your friends, rather than for profit or popularity," ...says the man who makes reviews for himself and his friends, rather than for profit or popularity. To be fair, snark aside, he does have a point here, but the real irony is in the fact that through PF's indie hegemony (which is real) it has become a yardstick for popularity, and therefore larger profits - larger, of course, in indie terms. (Go ask Arcade Fire how it's worked out for them.) Also: "The adoption of indie music by corporations started in the mid-90s, when Nirvana" Then they go on to correctly place Cobain's death in 1994, which implies a *very* short career span! Minor nitpick, but hey. Of course, the corporate embrace of indie music happened earlier, but we can't expect a CNN piece to be a lecture on Our Band Could Be Your Life, can we? And as Nirvana *was* the touchstone example of "breaking" indie on an unprecedented level of internationality, recognition, acclaim *and* sales, I can't really hold this against the writers. I also like the parallell drawn immediately after that, with the "indie film boom" starting with Pulp Fiction. This is not done very often, IMO, and I suspect that "indie music" and "indie film" attract slightly different geek brackets, albeit overlapping ones. Draw a Venn diagram. What has always had me wondering is the semantics of the word "indie": what does it mean? In the 80s, before Nirvana, it seemed to encompass (DC and elsewhere) hardcore, NYC art-punk-cum-noise, etc.; nowadays, the cynical view would be that it means "whatever Pitchfork has written favourably about". I for one have a hard time explaining what forces "bind", say, Sufjan Stevens to Wilco, The Thermals to Okkervil River. Aside from overlapping audiences and particularly outstanding songcraft (*cringe*), I can't really think of anything else that's significant aside from PF. Which leaves me well in cognitive dissonance territory, because I love all these artists to pieces yet I'm strongly suspicious of Pitchfork's style and superpower status. So what did it mean *during* the 90s? Sure, Nirvana was the watershed, but after that everything was suddenly "grunge", no? I mean, when indie geeks discuss the 90s, names like Nirvana, Radiohead, Neutral Milk Hotel and My Bloody Valentine will often come up (YMMV), but my question would be: what did we call these bands in 1998? If not them, what *did* the word indie refer to then? I'll let Schreiber have the last word: "If the last 30 years are any indication, after every last cent has been wrung from it, it'll just burrow back underground and continue on its own terms," And God knows they won't stop before they have. :) "You can't kill the ideal." I'll give him that. Great post.

By: thekilgore

thekilgore — Sat, 14 Oct 2006 08:03:37 -0800

*sigh* I have that web site on vinyl.

By: goodnewsfortheinsane

goodnewsfortheinsane — Sat, 14 Oct 2006 08:08:35 -0800

BTW, that is not a quiz, that's a Spark-style personality test. 5/10. I did not notice the extra features (including the 'quiz') at first, only saw the main article. I thought you were all *rating* it, Pitchfork style. Am I now a bad person?

By: Bugbread

Bugbread — Sat, 14 Oct 2006 08:16:22 -0800

goodnewsfortheinsane : "what did we call these bands in 1998?" In 1998, I can't recall, but in 1996, at least, they were called "alternative", and I was having arguments with people that alternative meant "alternative to the mainstream", so it didn't make much sense to call a mainstream band like Nirvana "alternative". And in 1996, "indie" still meant "independent", as in "on a very small record label, or self-published".

By: Bugg

Bugg — Sat, 14 Oct 2006 08:23:23 -0800

Metafilter: nothing here besides pretension, half-witted irony, and some vague anti-capitalist notions

By: goodnewsfortheinsane

goodnewsfortheinsane — Sat, 14 Oct 2006 08:31:03 -0800

in 1996, at least, they were called "alternative" Indeed, bugbread! I somehow managed to completely leave that term out of the equation. I had those arguments all the time as well. Of course, Nirvana breaking started a whole new wave of the lines between "alternative" and "mainstream" blurring throughout the 90s. The old separation seems to have restored itself somewhat since the turn of the century, though, say, after Napster (I'm guessing). I wonder how that happened. And don't get me started on the nationalization of MTV Europe! :) Now get off my lawn.

By: kaseijin

kaseijin — Sat, 14 Oct 2006 08:35:18 -0800

Personally, I have always been of the mind that "indie" rock/pop died in the mid-1990's. As soon as the younger crop of kids came up and started the fasionista thing...and embracing "emo"... I don't know what to call the scenesters these days, but "indie" doesn't ever really cross my lips. Granted, it didn't die suddenly, it had to peter out over a few years. But come on, who self-publishes these days? A few people, garnted, but not nearly as many. Where is the modern analog of the Simple Machines manifesto? In 1994, all it took to get your band heard was a silkscreen, a 4-track, and a couple hundred dollars to press some vinyl. ...and who brought the "Rock Star" back to music? Gone are the days of bands the likes of Low playing at coffee shops, Spent and New Radiant Storm King sleeping on our floor, and 764-HERO giving us their drink tickets. There was a lot more camaraderie in music back then, and the division between fan/musician was often quite blurred, as everybody was in some sort of band/project.

By: caddis

caddis — Sat, 14 Oct 2006 08:37:22 -0800

Once it became a "scene" it ceased to be indie.

By: blacklite

blacklite — Sat, 14 Oct 2006 08:40:27 -0800

This is hilarious. Everything is, though. O, self-referential postmodern ironic irony, kill me now. But artfully. Please. Thank you.

By: kaseijin

kaseijin — Sat, 14 Oct 2006 08:42:11 -0800

Indeed, caddis. I think I am going to go pop on a Grifters record and harken back to a bygone era. Damn, I feel old.

By: DenOfSizer

DenOfSizer — Sat, 14 Oct 2006 08:47:31 -0800

Wither Annie Sprinkle. Diamanda, we hardly knew ye. .

By: goodnewsfortheinsane

goodnewsfortheinsane — Sat, 14 Oct 2006 08:52:04 -0800

In 1994, all it took to get your band heard was a silkscreen, a 4-track, and a couple hundred dollars to press some vinyl. Granted, kaseijin, in 2006 you would need Photoshop and access a half-decent printer, some cheap Chinese mics and an audio interface, and a couple of spindles of CD-Rs. And all this can be done on a single standard PC! It's debatable whether it's as easy to get your band *heard*, of course, but it's certainly cheaper.

By: jonmc

jonmc — Sat, 14 Oct 2006 09:01:20 -0800

Most indie rock is neither indie nor rock. Discuss.

By: dflemingdotorg

dflemingdotorg — Sat, 14 Oct 2006 09:18:53 -0800

Moderately down: You can certainly hang, but can you hang with the best of them? Not quite yet. Keep doing what you're doing, though, and soon you'll be quoting obscure movie and song lyrics in everyday life like it's going out of style. Damn, I can't hang guys, I'm not down enough!

By: Bugbread

Bugbread — Sat, 14 Oct 2006 09:28:15 -0800

kaseijin : "But come on, who self-publishes these days? A few people, garnted, but not nearly as many." You have to be shitting me. You're on the internet! How the hell can you be forgetting about it's existence?! What, putting your music on the internet doesn't count because it's free?

By: mr_roboto

mr_roboto — Sat, 14 Oct 2006 10:15:23 -0800

kaseijin writes "Granted, it didn't die suddenly, it had to peter out over a few years. But come on, who self-publishes these days? A few people, garnted, but not nearly as many." They're called "CD-Rs". goodnewsfortheinsane writes "I mean, when indie geeks discuss the 90s, names like Nirvana, Radiohead, Neutral Milk Hotel and My Bloody Valentine will often come up (YMMV), but my question would be: what did we call these bands in 1998?" I can testify to the use of the term "indie" in as early as '93 and, yeah, it just referred to the record label. When did things start to change? Earlier than Nevermind, I'd say. Two big major label signings, and corresponding indie label deaths: REM and IRS; Sonic Youth and SST. '87 and '89 respectively. That's right kids: it was over in the 80s. The big change the 90s brought was the emergence of "indie majors": Subpop, Matador, Merge. Which were just different.

By: blucevalo

blucevalo — Sat, 14 Oct 2006 10:17:34 -0800

This is hilarious. Everything is, though. Ah, but is it?

By: nyxxxx

nyxxxx — Sat, 14 Oct 2006 10:35:57 -0800

That makes it official, it's over. Whenever the mainstream media figures out a trend that kills it. When the frat guys start playing "Tv on the Radio" or "Cansei de Ser Sexy" at their paties that's another sign. Time for everyone to change clothes and go back in their basements to figure out another way to be weird. This happens every 5 years or so.

By: camcgee

camcgee — Sat, 14 Oct 2006 10:44:29 -0800

I can't believe that quiz thinks that liking Bottle Rocket is less indie than Royal Tennebaums and Rushmore.

By: maggiemaggie

maggiemaggie — Sat, 14 Oct 2006 10:57:59 -0800

I mean, when indie geeks discuss the 90s, names like Nirvana, Radiohead, Neutral Milk Hotel and My Bloody Valentine will often come up (YMMV), but my question would be: what did we call these bands in 1998? If not them, what *did* the word indie refer to then? We called it College Boy music. And I actually thought the correct answer was Bottle Rocket, although my favorite Wes Anderson really is a tie between The Royal Tennenbaums and Rushmore. 7/10. Increasingly, I find young people creepy (sorry young people).

By: sklero

sklero — Sat, 14 Oct 2006 11:12:57 -0800

Throw me the whip, I'll throw you the idol.

By: spiderwire

spiderwire — Sat, 14 Oct 2006 11:20:01 -0800

The possible permutations of irony, humor, and patheticness of this article, both in content and circumstances of presentation, are making my head hurt. That shark jumps any higher, they'll need to give it a gig at Seaworld.

By: 2sheets

2sheets — Sat, 14 Oct 2006 11:53:21 -0800

Oh great, another thread where Mefites point a finger and laugh at ~~christians~~ indies. We get it, you're all so much smarter than us poor rubes that worship ~~Jesus~~ Jim Jarmusch.

By: dvdgee

dvdgee — Sat, 14 Oct 2006 12:02:30 -0800

indie music? oh you mean independent music produced just for kicks? like the stuff they put out on labels like tresor, poker flat, perlon, colony, ~scape, digital distortions, and about a million others? music where the personality behind it is so unimportant that artists regularly record under tens of different pseudonyms? yeah, that stuff is pretty cool.

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 12:07:37 -0800

Jeez. I thought it was a decent enough article. Speaking of which, it's about time post-rock earned its due. Is this sarcasm? Gone are the days of bands the likes of Low playing at coffee shops, Spent and New Radiant Storm King sleeping on our floor, and 764-HERO giving us their drink tickets. There was a lot more camaraderie in music back then, and the division between fan/musician was often quite blurred, as everybody was in some sort of band/project. Yes, surely this doesn't occur anymore, and it isn't just that it continues to go on without you. Also, no Sufjan, no credibility.

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 12:17:43 -0800

Speaking of which, it's about time post-rock earned its due. Is this sarcasm? No. Why would it be?

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 12:24:55 -0800

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 12:26:05 -0800

Which is understandable, as it is quite an undescriptive and vaguely pretentious name for a (sub)genre.

By: chrominance

chrominance — Sat, 14 Oct 2006 12:29:26 -0800

I gotta choose someone to pick on. Sorry kaseijin. Personally, I have always been of the mind that "indie" rock/pop died in the mid-1990's. As soon as the younger crop of kids came up and started the fasionista thing...and embracing "emo"... I don't know what to call the scenesters these days, but "indie" doesn't ever really cross my lips. I agree with the sentiment but not the date. Which in turn shows that the sentiment itself is kind of false (just because I agree doesn't mean it's true!). Anyone who listens to bands "no one else has heard of" always thinks it all went to shit a couple of years before everyone caught up. So for me, that would be around the turn of the century. For you, that was the mid-90s. It's the indie equivalent of people thinking the radio started sucking right about the time they left high school. Granted, it didn't die suddenly, it had to peter out over a few years. But come on, who self-publishes these days? A few people, garnted, but not nearly as many. Where is the modern analog of the Simple Machines manifesto? In 1994, all it took to get your band heard was a silkscreen, a 4-track, and a couple hundred dollars to press some vinyl. Insound republished the manifesto a couple of years back on their website, updated somewhat to deal with the internet. Jenny Toomey's with the Future of Music Coalition now, and though the advocacy group doesn't seem to be very active these days, they had a lot of good stuff on the importance of the internet and what it means for artists. As to who self-publishes these days: A couple of years ago I got a nice surprise in the mail thanks to a small screw-up: I'd placed an order with Endearing Records in Winnipeg and they'd lost it. So in addition to the Paper Moon album I'd ordered, I also received the first Novillero album. The woman who'd e-mailed me to ask if anything had gone wrong, and oh I'm sorry let me send you another CD to make up for it? She's a member of Paper Moon. Two years ago one of my favorite albums was by a band called Mascott, who is basically Kendall Jane Meade and a couple of friends. I bought the album via Red Panda Records. Guess who owns Red Panda Records? Kendall Jane Meade. Last year, one of my favorite albums was by a band called Bullette, who is basically Monika Bullette and a couple of friends. I didn't buy the album, I downloaded the whole thing from her site for free. How did I find out about her? I run a site, and she sent my a lovely e-mail about how I should check her out. And I did. This year, one of my favorite albums is by a woman named Laura Barrett. I'd never heard of her until I happened to be working a show she played at. I was hooked. She sold me her last CD, which was a shame because clearly if she'd brought ten or twenty more copies they'd all be gone. She has no label support, no PR company, no exposure beyond local shows (though playing with Final Fantasy sure helps) and a MySpace page. That's just a couple of examples. There are plenty more.Who self-publishes these days? Tons of people. You're just not paying attention. ...and who brought the "Rock Star" back to music? Gone are the days of bands the likes of Low playing at coffee shops, Spent and New Radiant Storm King sleeping on our floor, and 764-HERO giving us their drink tickets. There was a lot more camaraderie in music back then, and the division between fan/musician was often quite blurred, as everybody was in some sort of band/project. You honestly think bands have stopped sleeping on people's floors? One of my favorite (and now deceased) bands, Operation Makeout, got their biggest press via a MuchMusic show where they talked about... how to find places to crash after the show. Low playing at coffee shops? Didn't the Arcade Fire busk outside a NY subway stop at 2 in the morning once upon a time? And if indie rock died in the mid-90s, how do you explain stuff like the Magic Marker House:

in 1997 magic marker founders mark rothkopf and curt kentner moved into a large somewhat shabby home in se portland, oregon across from kenilworth park. most of the venues at this time wouldn't even book the up incoming bands that played portland . the all ages clubs were going out of business and the bars would pay the sound man more than any of the bands if they even let them play at all. It started out as a necessity, finally a place to play in a somewhat dank basement and later up stairs in the living room. we handed out flyers and word of mouth spread. While many people have lived in the 4 to 5 bedroom house members of dear Nora, kissing book, benji cossa, the mosquitoes, the softies, the lucksmiths, mooney suzuki, and the shins all called it home for a short period of time between 1997-2004.

In short: indie isn't dead. "indie" definitely is, but then "indie" has never really meant anything anyways.

By: graventy

graventy — Sat, 14 Oct 2006 12:38:45 -0800

Wait a minute....people use CD-Rs for legitimate purposes?

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 12:42:46 -0800

Who self-publishes these days? Tons of people. You're just not paying attention. Right.

By: klangklangston

klangklangston — Sat, 14 Oct 2006 12:54:10 -0800

It's funny, this CNN report seems to be based on what was cool when I was in high school. It's like all the trendy kids from the mid-'90s are now in control of pop media reporting! This is what the '70s must have looked like when the hippy sounds of Mungo Jerry finally crested. "Speaking of which, it's about time post-rock earned its due." No, it's really not. 3/10. I'm a posuer. Just like X-Ray Spex! "Indeed, bugbread! I somehow managed to completely leave that term out of the equation. I had those arguments all the time as well. Of course, Nirvana breaking started a whole new wave of the lines between "alternative" and "mainstream" blurring throughout the 90s. The old separation seems to have restored itself somewhat since the turn of the century, though, say, after Napster (I'm guessing). I wonder how that happened." I remember, once upon a time, a weird dichotomy between "indie" and "alternative." Nirvana, Soundgarden, Melvins... Alternative. Pavement, Yo La Tengo, Zumpano, Sloan... Indie. Really, anything still on Matador or Sub Pop. God, remember when you could buy based on what label shit was on? "and who brought the "Rock Star" back to music?" Weezer. Seriously.

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 12:55:43 -0800

Because it's silly. About time post-rock earned its due? Post-rock became a buzzword years ago. Sigur Ros, GYBE, Mogwai, Explosions in the Sky and what have you have been popular for awhile. Slint gets namedropped all the time. These days the "post-rock" label seems to be used mostly by people ridiculing the term. There's "buzzword," and then there's legitimate mobility within a genre. SR, Mogwai, GYBE, EITS have all been around since '94-'99. The number of instrumental rock bands out right now is exponentially greater than five years ago when "post-rock" was the soup du jour. Of course, there's a lot of bland shit out there, but I would argue the scene is as vibrant and alive as its ever been. So it's about time the internet caught up and recognized that with its first post-rock/instrumental music-focused zine. Please read this review and tell me it's justified. This is just one example of how uninformed and unfit mainstream review sites are. Once a reviewer can get through a review without name-dropping Mogwai, EITS, GYBE, etc. as if it's a 4-tool genre, then we'll get somewhere.

By: I Am Not a Lobster

I Am Not a Lobster — Sat, 14 Oct 2006 12:58:22 -0800

I was so indie that I was too drunk to open for the Vaselines.

By: Astro Zombie

Astro Zombie — Sat, 14 Oct 2006 13:04:08 -0800

There's no room in this world any more for the Jerry Lee Lewis fan.

By: jonmc

jonmc — Sat, 14 Oct 2006 13:13:55 -0800

Oh. *dies*

By: jokeefe

jokeefe — Sat, 14 Oct 2006 13:15:37 -0800

Gone are the days of bands the likes of Low playing at coffee shops, Spent and New Radiant Storm King sleeping on our floor, and 764-HERO giving us their drink tickets. Kids, mortgages, actually wanting to make a living at what they do... it's killer. (Not meaning to snark, honest. Just that happy [in the glow of nostalgia] poverty-stricken bohemianism can only last for so long for any one group of artists.)

By: jonmc

jonmc — Sat, 14 Oct 2006 13:18:54 -0800

also, I got 3 out of 10 on the indie quiz. sadly, the morrisey question didn't have an 'anti-christ' option.

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 13:20:12 -0800

Once a reviewer can get through a review without name-dropping Mogwai, EITS, GYBE, etc. as if it's a 4-tool genre, then we'll get somewhere. Why do people talk about Pavement, Guided by Voices, and The Smiths when they talk about indie rock? The most visible and long-established musicians are always the first mentioned when referring to a given genre. I don't see what this has to do with "post-rock getting its due."

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 13:45:18 -0800

I don't see what this has to do with "post-rock getting its due." It's finally come down to the age of specialization where post-rock is earning enough recognition to garner a genre-specific zine and discussion boards. This inculdes reviewers who know quite a bit more about the genre than the big 4.

By: klangklangston

klangklangston — Sat, 14 Oct 2006 14:02:17 -0800

"It's finally come down to the age of specialization where post-rock is earning enough recognition to garner a genre-specific zine and discussion boards. This inculdes reviewers who know quite a bit more about the genre than the big 4." Yeah, but then they rarely know about Cluster or Limbus 4 or any other "proto-post-rock" band that did more interesting shit than anyone is doing these days. The "post-rock" genre is, what, around 10-15 years old? Tortoise has been over-rated since the early '90s, man, and the term as a genre signifier has turned from meaning taking the conventions of rock and stretching them into saying only a little over a long time. Now it's an amorphous melange of math rock and the blander side of shoegaze; jam rock for the thick-glasses set. So, yeah, it's great that you've finally found a community for music you like. That's what the internet's great for. Doesn't mean that what you like isn't soporific and pretentious...

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 14:09:10 -0800

I've always found shoegaze to be a one-trick pony. What's this non-bland side you speak of?

By: psmealey

psmealey — Sat, 14 Oct 2006 14:11:05 -0800

God, remember when you could buy based on what label shit was on? Fuck YES!!! Touch 'n Go and SST (and to some degree Dischord) were where my loyalties were. Those were great times, my brothers and sisters, great times.

By: dydecker

dydecker — Sat, 14 Oct 2006 14:15:06 -0800

Godspeed! You Black Emperor were the nastiest bunch of asshole snobs I ever met in my life. I'm glad their band is so uncool now. God, remember when you could buy based on what label shit was on? I still do. But it's not indie rock :)

By: andywolf

andywolf — Sat, 14 Oct 2006 14:49:36 -0800

i fail to see how artists that are commercially viable and making a great deal of money are considered independent or an alternative.

By: drill_here_fore_seismics

drill_here_fore_seismics — Sat, 14 Oct 2006 15:04:03 -0800

6/10 although I guessed the answers on some of the straight up knowledge questions and got them right. God, remember when you could buy based on what label shit was on? Yeah, I also remember buying stuff based solely on print reviews, at least these days you've got a god chance of hearing stuff before buying thanks to the internet. (That's probably not an 'exclusive' enough attitude, but then I guess I'm just not part of the indie scene).

By: klangklangston

klangklangston — Sat, 14 Oct 2006 15:05:16 -0800

By: klangklangston

klangklangston — Sat, 14 Oct 2006 15:07:25 -0800

"I still do. But it's not indie rock :)" Really? Aside from a few house labels, I rarely find a place that has a consistent enough aesthetic to justify it, and those labels tend toward the "Do I really need to buy all of this?" feeling. DFA, Tressor, Ed Banger...

By: klangklangston

klangklangston — Sat, 14 Oct 2006 15:09:00 -0800

I was a Touch and Go, Matador and Merge fan for the most part (though I was totally into WaxTrax for a while).

By: Bugbread

Bugbread — Sat, 14 Oct 2006 15:09:06 -0800

klangklangston : "God, remember when you could buy based on what label shit was on? " Yeah, I remember 10 minutes ago perfectly well. Exogenous records, Freakdance records, Demontea.

By: PinkStainlessTail

PinkStainlessTail — Sat, 14 Oct 2006 15:22:51 -0800

I still like everything I hear from Drag City, but I haven't blind bought from them in a long time.

By: dydecker

dydecker — Sat, 14 Oct 2006 15:34:39 -0800

klang klang, I dunno if I'd buy everything just because it was on a label but I will check it out. I'll religiously listen to everything on Wagon Repair, Kompakt, Cadenza, Playhouse, Border Community, Ellectrona Romana, Systematic etc. A techno nut basically.

By: Mach3avelli

Mach3avelli — Sat, 14 Oct 2006 15:55:11 -0800

Mach— There was a shoegaze thread here within the last week or so. Some guy wrote a thesis on MBV (who I find boring as hell, but since you like post-rock, you might want try again). But shorter answer: Jesus and Mary Chain. I find modern shoegaze to be complete leagues better than MBV-era shoegaze (save Ride). Asobi Seksu, Ceremony, Longwave, Oppressed by the Line, Amusement Parks on Fire, etc. There's just much better stuff out today.

By: dvdgee

dvdgee — Sat, 14 Oct 2006 16:55:44 -0800

bugbread, i think you mean exogenic, and last time i checked, demon tea hadn't put out anything in quite some time, definitely longer than 10 minutes. regardless, that brothomstates ep on exogenic is an all-time classic.

By: Sparx

Sparx — Sat, 14 Oct 2006 18:33:55 -0800

1/10. And I have no idea which question I got right as I'd just click the other options to see what the responses were. I attempted to be indie in the early 90s, but could never, really, pull it off. I was always either too pretty or not pretty enough. Damn you, you fickle world.

By: davy

davy — Sat, 14 Oct 2006 21:14:08 -0800

jonmc, sometimes I doubt your commitment to SparkleFilter. And anyway, the big reason reason I've been so out of touch with musical "movements" for the past oh, couple of decades was that I had to rely for music on radio. I was too worried about keeping myself housed, fed and clothed (in that order) to buy records/tapes/CDs, and couldn't afford cover charges and bar beers (without extraordinary efforts I won't discuss here), and didn't have any comparatively well-off buddies who'd remedy those "deficiencies." Bring k3wl costs money, man. Nor did what I did manage to (over-) hear, or read about in reviews in the "alternative" press and the few "'zines" I could get my hands on, give me much reason to care, as it all seemed like teenaged wankers being teenaged wankers (though a lot were/are a bit old to be acting like that), which I'd already gone through before Mom & Dad threw me out.

By: davy

davy — Sat, 14 Oct 2006 21:16:02 -0800

"Bring k3wl costs money, man." And being a decent proofreader takes at least half a wit.

By: ludwig_van

ludwig_van — Sat, 14 Oct 2006 23:11:11 -0800

i fail to see how artists that are commercially viable and making a great deal of money are considered independent or an alternative. Do you really fail to see how that could be? You think independently-financed artists are never profitable, or what?

By: aerotive

aerotive — Sat, 14 Oct 2006 23:19:37 -0800

It's getting increasingly diffcult for me to distinguish between sarcastic/non-sarcastic comments here. Also, your favorite band sucks.

By: Bugbread

Bugbread — Sun, 15 Oct 2006 00:29:30 -0800

dvdgee : "bugbread, i think you mean exogenic, and last time i checked, demon tea hadn't put out anything in quite some time, definitely longer than 10 minutes." Yeah, I meant Exogenic (it was about 5 a.m. here when I posted, so my mind was in a bad way). And, yeah, Demon Tea seems to have gone defunct, so it was a bad example. Perhaps substitute 6D Soundz for Demon Tea.

By: iamck

iamck — Sun, 15 Oct 2006 07:48:23 -0800

Being outside the country for six months is so refreshing, it's like the word indie practically doesn't exist...

By: Meredith

Meredith — Sun, 15 Oct 2006 08:22:41 -0800

I suppose I might be the only one actually somewhat startled by this article. I listen to and adore most bands listed, listen to woxy.com at work, subscribe to all things McSweeney's... and I've never read a single pitchfork review, nor have many friends who share my tastes. Seeing a CNN "special" on my particular artistic tastes and having them slap a label on me, left me trying to decide if my oblivion to the buzz makes me more indie than you, or just old. Heh.

By: Bugbread

Bugbread — Sun, 15 Oct 2006 08:24:52 -0800

iamck : "Being outside the country for six months is so refreshing, it's like the word indie practically doesn't exist..." Try living in a non-English speaking country for a decade! Here in Japan, the word インディ－ズ ("indies") means exactly what it says: music put out by independents. It can be crazy experimental shit, or it can be pure mainstream J-Pop. It isn't a genre, it's a word that indicates "not put out by a major label". And that's it.

By: goodnewsfortheinsane

goodnewsfortheinsane — Sun, 15 Oct 2006 08:59:39 -0800

iamck writes "Being outside the country for six months is so refreshing, it's like the word indie practically doesn't exist..." Brazil, like USia, isn't the world, you know. Last I heard, the concept of indie was found alive and well in Europe (including the UK or not, your call), with the controversies over its definition and purpose still going strong.

By: Bovine Love

Bovine Love — Sun, 15 Oct 2006 10:09:30 -0800

Well, Meredith, I would say it makes you a person more concerned with the music instead of 'the scene'.

By: mdn

mdn — Sun, 15 Oct 2006 11:52:00 -0800

It's getting increasingly diffcult for me to distinguish between sarcastic/non-sarcastic comments here. seriously. though the meta-ironic has been a problem at least since the late 90s... when I was in high school (late 80s) "alternative" culture really seemed "alternative", and it really seemed as if people either knew or didn't know about a whole underground scene, even if we had different favorites among them. Somehow we had to go to the same clubs, music stores and comix/zine stores, so even if our assessments weren't identical, we'd be familiar with each other's interests to some degree. But the internet makes it so much easier that we no longer even need to form a community, and what's hip & what's played out is even more divided. Plus there's much less of a "mainstream" to react to, since that's got a half million tangents too - anyway - "alternative" ceased to be alternative in, I would say, about 91, when nirvana & the simpsons hit the big time. so then "indie" started growing to take over the place that alternative left - it wasn't well defined but just meant, "no really, actually alternative, not alanis morrisette alternative". But by the late 90s, "indie" was increasingly associated with the whole bitchy hipster / rich web developer / trucker hat thing, and was starting to die for that reason. Then, I have to say, I think in a way 9-11 & the war on terror kind of allowed it to regroup and not be quite so hyper-indifferent, so that it maybe almost saved it's soul. I would say especially the daily show/colbert people have found a way to be smart, ironic, but not assholish, that has also managed so far to be kind of semi-mainstream, big without seeming to have lost all cred. But I don't know what can claim to be truly "indie" in an old fashioned sense, except in that everything is more "indie" since what happens online actually can make a difference (even to choices of big corporations, eg SOAP). Is this sarcasm? No. Why would it be? the comment about post-rock confused me (and I like post-rock) because I just have no sense that it's "not getting it's due"... It sort of faded from being considered the best thing ever around the turn of the millenium to forking in a few directions and/or being kinda seen as a bit monochromatic at the end of the day, but it certainly had its moment, and there's also still good stuff being done. People know about it; just not everyone likes it :).

By: iamck

iamck — Sun, 15 Oct 2006 14:34:47 -0800

Brazil, like USia, isn't the world, you know. Last I heard, the concept of indie was found alive and well in Europe... The sad (or refreshing) truth I'm trying to convey is that "scenes" are such ludicrious projections and self inflations that only entertainment writers and bloggers take seriously.

By: jonmc

jonmc — Sun, 15 Oct 2006 15:23:45 -0800

when I was in high school (late 80s) "alternative" culture really seemed "alternative", "The Village isn't what it used to be and probably never was." - Wilson Mizener "Offer me alternatives offer me solutions and I decline..." - R.E.M.

By: jonmc

jonmc — Sun, 15 Oct 2006 15:26:14 -0800

to paraphrase Barry Gifford, no matter how far outside the flock we think we are, we still have to go to the river, lower our head and drink like all the other animals.

By: Bugbread

Bugbread — Sun, 15 Oct 2006 15:30:17 -0800

Jonmc: Keep in mind that "alternative" was always a bit separate from "underground". That is, "underground" meant "not well known", while "alternative" was just an alternative to the mainstream. It was kinda like the losing party in a two party governmental system, while "underground" was all the little parties that people don't even count when we say that America has a two-party system. So "alternative" was well known, but not the dominant genre. So I don't think thinking back on "alternative" as having been alternative is one of those rosy-colored-history-glasses things. Nowadays, there is so much variety in the mainstream that the concept of "alternative" just doesn't make sense.

By: ludwig_van

ludwig_van — Sun, 15 Oct 2006 15:30:31 -0800

But I don't know what can claim to be truly "indie" in an old fashioned sense I don't understand the confusion. If, for instance, you record music in your bedroom, draw some artwork, pay to have CDs made, and then sell them to people yourself, you're truly indie in an old-fashioned sense. Plenty of people are still doing this.

By: Bugbread

Bugbread — Sun, 15 Oct 2006 15:45:30 -0800

If your records/CDs/8-tracks are published in the United States, and not by the big four (EMI, Sony BMG Music Entertainment, Universal Music Group, Warner Music Group) or one of their subsidiaries, then you're an indy. Not the most difficult or fancy definition. Dunno what the equivalents would be in other countries. I'm sure India has totally different dominant companies, so being an indy in India would have a slightly different definition.

By: mdn

mdn — Sun, 15 Oct 2006 15:48:15 -0800

I don't understand the confusion. If, for instance, you record music in your bedroom, draw some artwork, pay to have CDs made, and then sell them to people yourself, you're truly indie in an old-fashioned sense. Plenty of people are still doing this. yeah, but if they upload something to youtube, and it gets attention, then some cable show or label or whatever is gonna get in touch - I guess what I meant was, at one time it did seem like a 'dominant' and a 'non-dominant' culture, and now it seems like a gigantic heap of interweaved cultures. That some guy's random home made project could be on the tonight show next week is not the least bit unthinkable. At one time, you had to choose either to go through a traditional route - send off demos, submit a finished screenplay, etc - or a non-traditional but undoubtedly less lucrative route - do it yourself & share it with a small community. But now 'doing it yourself' is a much smaller investment, so you may as well kinda do both - put it out there, for not just the local alternative types who go to the same underground club, but for everyone, including the possible corporate sponsors, who are paying far more attention to you already. Basically it's all mixed together, when I think at one time there was a much stronger identity of either climbing the ladder of the already structured big media, or building your own structure, which took a lot more commitment and was likely to be much more humble.

By: Bugbread

Bugbread — Sun, 15 Oct 2006 15:51:45 -0800

By: Bugbread

Bugbread — Sun, 15 Oct 2006 15:55:04 -0800

For example, I'd say that, if you want to be really accurate, there's no such thing as an "indy band", just an "indy release". If a band publishes all their albums by themselves, they're a band with a bunch of indy releases. If they publish all their albums on some BMI label, they're a band with a bunch of major releases. If they publish some albums on BMI, and some on their own label, they're a band with some major and some indy releases. There's no "indy band" issue at all.

By: mdn

mdn — Sun, 15 Oct 2006 17:00:17 -0800

I think part of the issue, then, is that you're mixing the technical (I would say "proper") definition of indy, which is "on an independent record label", with the informal (I would say "wrong") definition of indy as being "underground" or "substantially different from mainstream bands" well, that's why I said "in the old-fashioned sense" - because at one time, the two meanings were much more tied together. It used to be a serious investment to self-record / promote / distribute, and initially only one that was undertaken when the big record companies weren't responding. Then, when you actually did the promoting / distributing, you had to hit the same network of little "alternative" venues, whether clubs or stores, that sold or booked the non-mainstream, self-produced stuff. That meant that consumers of one alternative artist or band would be more clued in to others, but someone who never checked out that side of town would just not pay attention to any of it (they'd know there was an alternative culture - they'd see the green hair at least - but they would have no real sense of what it was because they got their info from the then fairly homogenous mainstream media). Now the technology to self produce makes it practically an afternoon project, and promotion/distribution takes care of itself... plus the line between major and indie in even just a record label is hard to draw - at one time there were just a few big labels, a few big channels, a few big venues - now we have many more shades of grey represented, and online anyone can hit the big time if they get lucky (though the big time is may be less big now, because there are just too many things to choose from...)

By: Bugbread

Bugbread — Sun, 15 Oct 2006 17:08:45 -0800

Ah, I see what you're saying now. In my eyes, though, that's a good thing. For example, I used to be into indie/underground/whathaveyou. Then I moved away from all the folks I knew who were into that music, and my exposure to new music dried up. Now, with the internet, I'm right back to exploring new bands and being exposed to new music.

By: mdn

mdn — Sun, 15 Oct 2006 19:36:15 -0800

yeah, I didn't mean to come across as nostalgic or as if it used to be better - I was just kind of looking at the history of the term, and how it's almost meaningless now. But I also love the internet culture that has taken its place (wouldn't be here if I didn't, I don't think :))

By: Civil_Disobedient

Civil_Disobedient — Sun, 15 Oct 2006 19:37:16 -0800

Does no one get that the quiz was taking the piss? For example, the "correct" answer to the vacation question (Austin) gives you: Who would want to pass up a slew of shows by a bunch of bands no one's ever heard of? Honestly, I don't understand why anyone gives a rat's ass about artistic integrity, or "going corporate" or someone's cred. Why should you give one solitary, flying fuck if so-and-so "sold out"? Are you related to them? Are you best friends with them? Did you place a bet on IndieBetting.com that they wouldn't sell out, and now you're out $100?

By: antifuse

antifuse — Mon, 16 Oct 2006 05:25:29 -0800

That quiz pissed me off. It took FOREVER to go from question to question (just give me a next button, fuckers, so I don't keep hitting answers until it moves on to the next question). I only made it to the Arrested Development question before I got pissed off and closed the window. So, 0/10 for me, as far as I'm concerned!

By: zorro astor

zorro astor — Mon, 16 Oct 2006 10:33:05 -0800

An article about "indie" in 2006?! This shit was old hat 10 year ago.