Comments on: Storytelling in sand.
http://www.metafilter.com/82982/Storytelling-in-sand/
Comments on MetaFilter post Storytelling in sand.Fri, 03 Jul 2009 08:16:41 -0800Fri, 03 Jul 2009 08:16:41 -0800en-ushttp://blogs.law.harvard.edu/tech/rss60Storytelling in sand.
http://www.metafilter.com/82982/Storytelling-in-sand
<a href="http://www.youtube.com/watch?v=Z1JZ9O15280">Drawing and storytelling in sand.</a> post:www.metafilter.com,2009:site.82982Fri, 03 Jul 2009 08:02:23 -0800dmdsandartUkrainianslytUkraineKseniyaSimonovaWWIIBy: Dr-Baa
http://www.metafilter.com/82982/Storytelling-in-sand#2633956
Wow! That was amazing.comment:www.metafilter.com,2009:site.82982-2633956Fri, 03 Jul 2009 08:16:41 -0800Dr-BaaBy: rageagainsttherobots
http://www.metafilter.com/82982/Storytelling-in-sand#2633970
I've never seen anything like this. Super cool.comment:www.metafilter.com,2009:site.82982-2633970Fri, 03 Jul 2009 08:24:56 -0800rageagainsttherobotsBy: Ambrosia Voyeur
http://www.metafilter.com/82982/Storytelling-in-sand#2633972
Jeez, I think this has been here twice before but both links are now dead. Internet Classic!comment:www.metafilter.com,2009:site.82982-2633972Fri, 03 Jul 2009 08:26:45 -0800Ambrosia VoyeurBy: Happy Dave
http://www.metafilter.com/82982/Storytelling-in-sand#2633981
Can anyone provide context to this? It's clearly a Ukraine's Got Talent type show, but the audience are in tears throughout, and it's pretty clearly about Ukraine's involvement in WWII. Is this a well-known story or archetype?
Aside from that, I think this is gobsmacking performance art.comment:www.metafilter.com,2009:site.82982-2633981Fri, 03 Jul 2009 08:43:12 -0800Happy DaveBy: heyho
http://www.metafilter.com/82982/Storytelling-in-sand#2633991
Whoa; that was cool. New to me, so thanks!comment:www.metafilter.com,2009:site.82982-2633991Fri, 03 Jul 2009 08:47:43 -0800heyhoBy: hypersloth
http://www.metafilter.com/82982/Storytelling-in-sand#2633996
<i>Jeez, I think this has been here twice before but both links are now dead.</i>
When I read that, I thought for sure it was going to be <a href="http://www.youtube.com/watch?v=Invhsa87isk">this video</a> from way back. Cool that it wasn'tcomment:www.metafilter.com,2009:site.82982-2633996Fri, 03 Jul 2009 08:52:11 -0800hyperslothBy: Happy Dave
http://www.metafilter.com/82982/Storytelling-in-sand#2634004
Some <a href="http://bmeyes.blogspot.com/2009/06/who-is-ksenia-symonova-sand-artist-from.html">background</a>. Apparently:
<blockquote>"Social effect of this stunning performance is obvious: yesterday I've seen dozen of kids in the hood trying to draw with sand on the road and on the parts of the broken window-glass laying on the ground."</blockquote>
Pretty cool.comment:www.metafilter.com,2009:site.82982-2634004Fri, 03 Jul 2009 08:58:57 -0800Happy DaveBy: echo target
http://www.metafilter.com/82982/Storytelling-in-sand#2634007
There's lots of moments of "What the hell is...OH WOW" in there.comment:www.metafilter.com,2009:site.82982-2634007Fri, 03 Jul 2009 09:00:57 -0800echo targetBy: Autarky
http://www.metafilter.com/82982/Storytelling-in-sand#2634012
I was just going to post this.
<a href="http://www.youtube.com/user/xensand">Here's a link to lot more videos of her work</a>comment:www.metafilter.com,2009:site.82982-2634012Fri, 03 Jul 2009 09:02:10 -0800AutarkyBy: Ambrosia Voyeur
http://www.metafilter.com/82982/Storytelling-in-sand#2634017
hypersloth, I may have conflated those two. *scratches head* Now I'm curious what the dead links from past posts go to!comment:www.metafilter.com,2009:site.82982-2634017Fri, 03 Jul 2009 09:06:00 -0800Ambrosia VoyeurBy: Autarky
http://www.metafilter.com/82982/Storytelling-in-sand#2634024
Also, fyi, the title is "Requiem from/with sand" and the text at the end reads "You are always near"comment:www.metafilter.com,2009:site.82982-2634024Fri, 03 Jul 2009 09:12:58 -0800AutarkyBy: six-or-six-thirty
http://www.metafilter.com/82982/Storytelling-in-sand#2634030
Thirty seconds into that video I knew I was going to favorite it.comment:www.metafilter.com,2009:site.82982-2634030Fri, 03 Jul 2009 09:19:10 -0800six-or-six-thirtyBy: aliasless
http://www.metafilter.com/82982/Storytelling-in-sand#2634060
That was amazing. The Metallica was like a cherry on top.comment:www.metafilter.com,2009:site.82982-2634060Fri, 03 Jul 2009 09:43:59 -0800aliaslessBy: weapons-grade pandemonium
http://www.metafilter.com/82982/Storytelling-in-sand#2634066
Great.comment:www.metafilter.com,2009:site.82982-2634066Fri, 03 Jul 2009 09:46:59 -0800weapons-grade pandemoniumBy: vernondalhart
http://www.metafilter.com/82982/Storytelling-in-sand#2634150
That was fantastic. I got a little teary towards the end, and I know nothing about Ukraine's WWII history...
<i>That was amazing. The Metallica was like a cherry on top.</i>
It's actually <a href="http://en.wikipedia.org/wiki/Apocalyptica">Apocalyptica</a>, from the album <a href="http://en.wikipedia.org/wiki/Inquisition_Symphony_(album)">Inquisition Symphony</a>. Worth picking up; there's a few Metallica covers on there, but there are other covers, as well as some quite decent original compositions.comment:www.metafilter.com,2009:site.82982-2634150Fri, 03 Jul 2009 11:20:44 -0800vernondalhartBy: vernondalhart
http://www.metafilter.com/82982/Storytelling-in-sand#2634151
Oh yeah, anyone know how she did in the contest/show?comment:www.metafilter.com,2009:site.82982-2634151Fri, 03 Jul 2009 11:21:07 -0800vernondalhartBy: de
http://www.metafilter.com/82982/Storytelling-in-sand#2634186
she made it to the final: <a href="http://www.youtube.com/watch?v=8uYne5ezkfw">part1,</a> <a href="http://www.youtube.com/watch?v=heMgid4rkzU&feature=channel">part2</a>comment:www.metafilter.com,2009:site.82982-2634186Fri, 03 Jul 2009 11:51:01 -0800deBy: Askiba
http://www.metafilter.com/82982/Storytelling-in-sand#2634200
That's amazing. But what's more amazing is how flawless it seems. Even just throwing the sand onto the table had purpose.
It was a strange joy seeing her carefully scrape away sand from the "wall" she draws at 5:00.comment:www.metafilter.com,2009:site.82982-2634200Fri, 03 Jul 2009 12:01:47 -0800AskibaBy: olya
http://www.metafilter.com/82982/Storytelling-in-sand#2634358
The songs are Russian, not Ukrainian.
The voiceovers in the video start off by announcement of the war (the hollow voice over the bench couple); then a ballad about the kid sleeping at home while the bullets whistle in the fields. After the musical interlude it is another Russian song about those who didn't return (the lyrics are along the lines of - those who did not return are only left as voices of the birds in the fields; and that is the reason we are often silent when looking into the skies).
The last musical interlude (as mentioned above) is over the text "You're always near" (Can be also translated as "you are always close [to me]").
The general storyline of the men who were lost in war touches most born in ex-Soviet countries - each family has a war story; everyone lost someone. Soviet Union had the most military and total casualties in that war [<a href="http://en.wikipedia.org/wiki/World_War_II_casualties#Human_losses_by_country">cite</a>].
My granddad was wounded in WW2; his wound was so deep that it didn't heal for 50 years. He didn't like talking about the war.
The painting is beautiful, but the story is profoundly touching.comment:www.metafilter.com,2009:site.82982-2634358Fri, 03 Jul 2009 13:33:12 -0800olyaBy: Shotgun Shakespeare
http://www.metafilter.com/82982/Storytelling-in-sand#2634405
Reminiscent of the work of Gerald Conn, the <a href="http://www.cinetig.co.uk/GeraldConn.html">Welsh sand animator</a> who's currently <a href="http://www.festival.si.edu/2009/wales/animation.aspx">participating</a> in the Smithsonian Folklife Festival on the National Mall in Washington, DC. His stuff is maybe a bit more abstract but beautiful.comment:www.metafilter.com,2009:site.82982-2634405Fri, 03 Jul 2009 13:55:53 -0800Shotgun ShakespeareBy: gryftir
http://www.metafilter.com/82982/Storytelling-in-sand#2634536
Thank you DMD... that was wonderful.comment:www.metafilter.com,2009:site.82982-2634536Fri, 03 Jul 2009 15:08:50 -0800gryftirBy: shannonm
http://www.metafilter.com/82982/Storytelling-in-sand#2634569
Simply stunning. Thanks for the link.comment:www.metafilter.com,2009:site.82982-2634569Fri, 03 Jul 2009 15:24:01 -0800shannonmBy: snsranch
http://www.metafilter.com/82982/Storytelling-in-sand#2634639
DMD, that was beautiful and amazing. Thanks for posting it!comment:www.metafilter.com,2009:site.82982-2634639Fri, 03 Jul 2009 16:04:33 -0800snsranchBy: orme
http://www.metafilter.com/82982/Storytelling-in-sand#2635084
Not a single wasted gesture. Makes me think that she must have practiced this quite a lot to get it so seamless.comment:www.metafilter.com,2009:site.82982-2635084Fri, 03 Jul 2009 22:34:51 -0800ormeBy: Uccellina
http://www.metafilter.com/82982/Storytelling-in-sand#2635128
That was astounding and beautiful, and I am so glad I watched it.comment:www.metafilter.com,2009:site.82982-2635128Fri, 03 Jul 2009 23:39:15 -0800UccellinaBy: DU
http://www.metafilter.com/82982/Storytelling-in-sand#2636922
So I'm the only one that remembers this from Sesame Street?comment:www.metafilter.com,2009:site.82982-2636922Mon, 06 Jul 2009 04:50:21 -0800DU
"Yes. Something that interested us yesterday when we saw it." "Where is she?" His lodgings were situated at the lower end of the town. The accommodation consisted[Pg 64] of a small bedroom, which he shared with a fellow clerk, and a place at table with the other inmates of the house. The street was very dirty, and Mrs. Flack's house alone presented some sign of decency and respectability. It was a two-storied red brick cottage. There was no front garden, and you entered directly into a living room through a door, upon which a brass plate was fixed that bore the following announcement:¡ª The woman by her side was slowly recovering herself. A minute later and she was her cold calm self again. As a rule, ornament should never be carried further than graceful proportions; the arrangement of framing should follow as nearly as possible the lines of strain. Extraneous decoration, such as detached filagree work of iron, or painting in colours, is [159] so repulsive to the taste of the true engineer and mechanic that it is unnecessary to speak against it. Dear Daddy, Schopenhauer for tomorrow. The professor doesn't seem to realize Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. 53 The attention of the public was now again drawn to those unnatural feuds which disturbed the Royal Family. The exhibition of domestic discord and hatred in the House of Hanover had, from its first ascension of the throne, been most odious and revolting. The quarrels of the king and his son, like those of the first two Georges, had begun in Hanover, and had been imported along with them only to assume greater malignancy in foreign and richer soil. The Prince of Wales, whilst still in Germany, had formed a strong attachment to the Princess Royal of Prussia. George forbade the connection. The prince was instantly summoned to England, where he duly arrived in 1728. "But they've been arrested without due process of law. They've been arrested in violation of the Constitution and laws of the State of Indiana, which provide¡ª" "I know of Marvor and will take you to him. It is not far to where he stays." Reuben did not go to the Fair that autumn¡ªthere being no reason why he should and several why he shouldn't. He went instead to see Richard, who was down for a week's rest after a tiring case. Reuben thought a dignified aloofness the best attitude to maintain towards his son¡ªthere was no need for them to be on bad terms, but he did not want anyone to imagine that he approved of Richard or thought his success worth while. Richard, for his part, felt kindly disposed towards his father, and a little sorry for him in his isolation. He invited him to dinner once or twice, and, realising his picturesqueness, was not ashamed to show him to his friends. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice¡ª HoME²¨¶àÒ°´²Ï·ÊÓÆµ ѸÀ×ÏÂÔØ ѸÀ×ÏÂÔØ
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